Twa kɔ nsɛm atitiriw so
Log in
Sign up for FREE
arrow_back
Laabri

2024 (Aug.): NY Regents - ELA

star
star
star
star
star
Last updated 5 months ago
26 Nsɛmmisa
1
Asemmisa {{asɛmmisaAhyɛnsode}}
1.

In line 9, Orihuela introduces himself as “a façade, a hoax” to reflect a central idea of:

RL.11-12.2
1
L.11-12.4.a
1
RL.11-12.3
1
RL.11-12.3
1
RL.11-12.5
1
RL.11-12.4
1
RL.11-12.5
1
RL.11-12.4
1
Asemmisa {{asɛmmisaAhyɛnsode}}
9.

Which phrase reflects a central idea in the passage?

RL.11-12.2
1
Asemmisa {{asɛmmisaAhyɛnsode}}
10.

The “intention” stated in line 6 most likely refers to Weir Farm serving to:

L.11-12.4.a
1
RL.11-12.4
1
RL.11-12.6
1
Asemmisa {{asɛmmisaAhyɛnsode}}
13.

The description in lines 33 through 35 asks people to take the time to:

RL.11-12.4
1
RL.11-12.5
1
RI.11-12.3
1
L.11-12.5.a
1
RI.11-12.3
1
RI.11-12.3
1
RI.11-12.4
1
RI.11-12.3
1
RI.11-12.6
1
L.11-12.4.a
1
Asemmisa {{asɛmmisaAhyɛnsode}}
23.

Phrases such as “bopped” (line 4), “But I hop ahead” (line 19), and “geeky cool” (line 85) create a tone that is

RI.11-12.4
1
RI.11-12.2
24
Asemmisa {{asɛmmisaAhyɛnsode}}
25.

Write your argument here.

L.11-12.1.a
L.11-12.2.a
+14

Argument - Text 1

Argument - Text 1 continued

Argument - Text 2

Argument - Text 2 continued

Argument - Text 3

Argument - Text 3 continued

Argument - Text 4

Argument - Text 4 continued

16
Asemmisa {{asɛmmisaAhyɛnsode}}
26.

Write your text-analysis response here.

L.11-12.1.a
L.11-12.2.a
+14
Asemmisa {{asɛmmisaAhyɛnsode}}
2.

As used in line 19, the word “cataclysm” most likely refers to a:

Asemmisa {{asɛmmisaAhyɛnsode}}
3.

The purpose of the narrator’s call to the public relations manager (lines 30 through 36) is to:

Asemmisa {{asɛmmisaAhyɛnsode}}
4.

Orihuela’s reaction to the envelope he receives (lines 43 through 46) is to:

Asemmisa {{asɛmmisaAhyɛnsode}}
5.

The function of lines 47 through 51 is to:

Asemmisa {{asɛmmisaAhyɛnsode}}
6.

Orihuela’s evaluation of the novel in lines 57 through 60 reveals its:

Asemmisa {{asɛmmisaAhyɛnsode}}
7.

The title of Orihuela’s collected essays (line 74) can best be described as:

Asemmisa {{asɛmmisaAhyɛnsode}}
8.

Lines 77 and 78 illustrate Orihuela’s:

Asemmisa {{asɛmmisaAhyɛnsode}}
11.

Lines 11 and 12 emphasize the:

Asemmisa {{asɛmmisaAhyɛnsode}}
12.

Lines 17 through 19 imply that people who view a painting can:

Asemmisa {{asɛmmisaAhyɛnsode}}
14.

The poem is primarily developed through the use of:

Asemmisa {{asɛmmisaAhyɛnsode}}
15.

Lines 1 through 4 highlight the original pogo stick design’s

Asemmisa {{asɛmmisaAhyɛnsode}}
16.

As used in lines 12 and 13, the phrase “take wing” most closely means

Asemmisa {{asɛmmisaAhyɛnsode}}
17.

Lines 11 through 18 illustrate the

Asemmisa {{asɛmmisaAhyɛnsode}}
18.

Curt Markwardt contributed to the BowGo’s development (lines 32 through 40) by

Asemmisa {{asɛmmisaAhyɛnsode}}
19.

As used in line 48, the word “unwieldy” most nearly means

Asemmisa {{asɛmmisaAhyɛnsode}}
20.

The details in lines 55 through 59 suggest that Bruce Spencer created the Vurtego by

Asemmisa {{asɛmmisaAhyɛnsode}}
21.

The mood in lines 64 through 67 shifts from a feeling of

Asemmisa {{asɛmmisaAhyɛnsode}}
22.

The word “mavericks” (line 77) most likely implies that the teenagers are

Asemmisa {{asɛmmisaAhyɛnsode}}
24.

The revival of the pogo stick was prompted by