“Translating Grandfather’s House”

Last updated about 2 years ago
3 questions
Translating Grandfather's House

According to my sketch,
Rows of lemon & mango
Trees frame the courtyard
Of Grandfather’s stone
And clapboard home;
The shadow of a palomino,1
Gallops on the lip
Of the horizon.

The teacher says
The house is from
Some Zorro
Movie I’ve seen.

“Ask my mom,” I protest.
“She was born there—
Right there on the second floor!”

Crossing her arms she moves on.

Memories once certain as rivets
Become confused as awakenings
In strange places and I question
The house, the horse, the wrens
Perched on the slate roof—
The roof Oscar Jartín
Tumbled from one hot Tuesday,
Installing a new weather vane;
(He broke a shin and two fingers).
Classmates finish drawings of New York City
Housing projects on Navy Street.
I draw one too, with wildgrass
Rising from sidewalk cracks like widows.
In big round letters I title it:

GRANDFATHER’S HOUSE

Beaming, the teacher scrawls
An A+ in the corner and tapes
It to the green blackboard.

To the green blackboard.
2

At which point does the speaker’s tone most change from individualism to conformity?

2

“It to the green blackboard.

To the green blackboard.”

What is the most likely significance for why the repeated lines above are separated into two different stanzas?

2

Which sentence states the topic, NOT the theme of the poem?