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TEST - Doctor Faustus (MC)

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Last updated about 2 years ago
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EXCERPT 3

“Faustus is gone; regard his hellish fall,
Whose fiendful fortune may exhort the wise,
Only to wonder at unlawful things,
Whose deepness doth entice such forward wits,
To practice more than heavenly power permits.”
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In the movie, The Emperor's New Groove Kronk has two warring angels on either shoulder guiding him towards right and wrong...


This is an example of...
satire
parody
allegory
irony
In the Simpsons episode, "Bart Sells His Soul", Bart scornfully dismisses the idea of "a soul" and makes a Faustian deal with his friend Milhouse, trading his soul for $5. He then spends the rest of the episode in agony debating his decision...


This is an example of...
satire
parody
allegory
irony
In the The Globe production of Doctor Faustus, when Mephistopheles first arrives, Faustus says he is "too ugly" to serve him and commands he return in a form that better suits his role on earth - returning dressed as in religious attire of the clergy.

Mephistopheles and Faustus' attire (as well as scenes throughout with members of the clergy) together form Marlowe's ______ of the Church and its corruption in the 16th century.


This is an example of...
satire
parody
allegory
irony
In the The Globe production of Doctor Faustus, the Good and Evil Angel are dressed in armor and fight with swords to illustrate the __________ of Spiritual Warfare over Faustus' soul.


This is an example of...
satire
parody
allegory
irony
In the The Globe production of Doctor Faustus, Faustus refuses to acknowledge the physical presence of hell, despite having summoned a demon from hell and physical evidence of its existence...

The _____ of this situation creates suspense and tension throughout the play.


This is an example of...
satire
parody
allegory
irony
Marlowe uses ______ to scripture in Faustus' monologues to make his blasphemy and heresy more obvious to the audience and more dramatic.
allusion
reversal
comic relief
caricature
Marlowe uses ______ in between scenes to keep his audience entertained and invested in such a dark and serious tragedy.
allusion
reversal
comic relief
caricature
In addition, Marlowe employs the above literary device because it is a key part of _________, the genre form that is being _____ in Doctor Faustus.
Miracle Play ... alluded to ...
Medieval Romance ... satirized ...
Morality Play .... parodied ...
Mystery Play .... referenced ...
This genre of writing typically relied heavily on all of the following EXCEPT
alliteration
allegory
allusions
analogy
Common tropes of this genre include all of the following EXCEPT
"hellmouth"
damnation / salvation
marriage / divorce
angel vs. devil or good vs. evil
The purpose of this genre is...
satirize society and corruption/decay of morality
allegorically convey a lesson about good/evil and morality
criticize humanity and their lack of morality
socratically examine and discuss the importance of philosophy
Marlowe uses a mocking, cynical tone that is disdainfully or scornfully humorous to express an uncomfortable truth in a clever (or humorously malicious) way, often with a degree of skepticism.

This type of tone is called _______ .
sardonic
farcical
ironic
sarcastic
Marlowe's play would best be described as ____________ .
Juvenalian Satire - tends to be more bitter and dark, expressing anger and outrage at the state of the world with vehement anger or brutal criticism and attempts to make the audience angry
Horatian Satire - a sitty, humorous, light-hearted and tolerant type of satire that gently mocks folly and vice and attempts to make the audience laugh
Menippean Satire - an intellectually humorous work characterized by a vast range in content and tone, displays of curious or scholarly debate, and discussions on philosophical topics. Attempts to make the audience think critically or reflect intellectually.
Anachronistic Satire - a satire that is belonging or appropriate to a period other than that in which it exists, especially a thing that is conspicuously old-fashioned.
Which of the following was NOT one of Marlowe's inspirations for writing Doctor Faustus.
alchemy and natural philosophy
the death of his close friend, Jon Faust during the Inquisitions
political/religious pressures he had experienced in his own life
theology and apologetics
The story of Doctor Faustus was partially based on a German legend and popular story of a real person named Faust.
True
False
Christopher Marlowe was arrested (and likely killed) for heresy and criticisms of the church.
True
False
The devil Mephistopheles was a character from Dante's Inferno and is a direct reference to that text.
True
False
In Doctor Faustus, Faustus trades his soul for immortality.
True
False
In Doctor Faustus, Faustus is compared to Icarus, who flies too close to the sun on wings of wax and falls from the sky.
True
False
In Doctor Faustus, Faustus is compared to Orpheus, who journeys to the underworld to save his lost wife (unsuccessfully).
True
False
In Doctor Faustus, Faustus is compared to Prometheus, who is punished for possessing knowledge/power that was forbidden by the gods.
True
False
Faustus writes and signs the contract without fully understanding the consequences or implications and banking on his ability to find a loophole in time.
True
False
Faustus attempts to break the contract by tricking Mephistopheles into saying "God" - something Meph. can't do - and thereby not upholding the contract.
True
False
This ploy works and Faustus is freed from the contract, but Faustus chooses of his own free will to continue collaborating with Mephistopheles in evil.
True
False
In Doctor Faustus, Faustus is known in his academic community for being a well renowned Doctor of Medicine.
True
False
Doctor Faustus claims his has mastered which of the following disciplines at the START of the play? Check all that apply (4)
Law
Theology / Divinity
History / Literature
Logic / Philosophy
Medicine
Science / Astronomy
Throughout the play, Faustus compares his desire for knowledge to what metaphorically?
hunger / gluttony / lust
virtue / moral strength
faith / belief
traps / temptation
How does Faustus wrestle with his choices (and ultimately convince himself not to repent)?
philosophical arguments and logical fallacies
reading scripture and seeking answers in The Bible
researching science and geography to discover (and unlock) the physical gates of hell
consulting religious leaders around the world for advice
In a tragedy, the ________ has a ____________.
angel ..... demon
tragic hero ..... fatal flaw
protagonist ........ antagonist
hero ...... epic quest
building on the previous question, Faustus' [_______] is...
the Quest for the Holy Grail
jealousy / coveting what others have that he does not
Mephistopheles / Lucifer
pride / over-confidence in his own knowledge/ability
How does Mephistopheles (and Lucifer) distract Faustus from repenting?
physical temptations and physical threats
spiritual philosophy and spiritual warfare
scientific theories that seem to disprove God's existence
logical arguments against repentance
Considering the previous question, this detail allegorically implies what deeper meaning?
logic will always provide an answer to our problems
God's existence and physical presence cannot be proven using science
philosophy and debate are poor substitutions for attending mass
temptations of this earth distract us from heavenly wisdom and salvation
Faustus learns magic and these dark arts, as well as spells and incantations from...
Mephistopheles directly
his own imagination and experimentation
Books (from his "friends" and from Meph and Lucifer)
ancient writing on a wall, carved by Joseph of Arimathea
Considering the previous question, this detail allegorically implies what deeper meaning?
imagination can be a weapon
leave ancient ruins alone
don't trust the devil
some knowledge is dangerous
Match the character from Faustus to its allegorical deeper meaning or purpose:
Valdes and Cornelius
the scholar/individual tempted by forbidden or dangerous knowledge
Scholars
temptations of this earth that keep us from spiritual redemption
7 Deadly Sins
salvation, the voice of God/mercy
The Pope / Friars
damnation, the voice of Evil/temptation
The "horse-courser," knight, etc.
comic relief and humor
Wagner and Clowns
those who study with or under us and are influenced by our example
Good Angel / Old Man
the wrong friends, the ones that lead us astray and down dangerous roads
The Emperor / Duke
those who are directly impacted by our actions, who are negatively affected
Faustus
the Church as an organization
Evil Angel / Mephistopheles
power and authority as a construct
Based on the opening and closing scenes of the play, this play is a(n) ____ of Faustus.
satirical critique of the real Faust
"true" historical retelling of the real Faust
allegorical judgement of the character
illustration of the "Mystery of The Agony in the Garden"
Which quote below best captures the key allegorical deeper meaning of this play?
"Danger is in words... O, would I had never read a book, and yet -- what wonders I have done, all Germany, yea all the world can witness, for which Faustus hath lost both Germany, and the world, yea heaven itself... I gave them my soul for my cunning. God forbade it indeed, but Faustus hath done it."
"What art thou, Faustus, but a man condemned to die? Thy fatal time doth draw to final end; despair doth drive distrust unto my thoughts: Confound these passions with a quiet sleep."
"Nothing so sweet as magic is to him, which he prefers before his chiefest bliss... These metaphysics of magicians, and necromantic books are heavenly... ay, these are those that Faustus most desires."
"[The wages of sin is death]?! Ha! The reward for sin is death: that's hard. ... Why then belike we must sin, and so consequently die. Ay, we must die an everlasting death. What doctrine call you this? Che sera, sera: Whatever will be, will be? Divinity, adieu."
This dialogue is an example of Faustus convincing himself using which Logical Fallacy?

"Faustus: Tell me, where is the place that men call hell?

Mephistopheles: Under the heavens.

Faustus: Ay, but whereabout?

Mephistopheles: Within the bowels of these elements, where we are tortured and remain forever, hell hath no limits, nor is circumscribed in one self place; for where we are is hell, and where hell is there must we ever be...

Faustus: Come, I think hell's a fable.... Think'st thou that Faustus is so fond [of himself] to imagine that after this life there is any pain? Tush; these are trifles and mere old wives tales..

Mephistopheles: But Faustus, I am in instance to prove the contrary, for I am damned, and now in hell.

Faustus: How! Now in hell? Nay and this be hell, I'll willingly be damned here; what? walking, disputing, etc?"
Equivocation
Begging the Question // Circular Argument
Red Herring
Ad Hominem
This dialogue is an example of Faustus using which Logical Fallacy?

Mephistopheles: Thinkest thou that I who saw the face of God, And tasted the joys of heaven, am not tormented with ten thousand hells, in being deprived of everlasting bliss? O, Faustus, leave these frivolous demands, which strike terror to my fainting soul.

Faustus: What, is great Mephistopheles so passionate for being deprived of the joys of heaven? Learn thou of Faustus manly fortitude, and scorn those joys of heaven."
Equivocation
Begging the Question // Circular Argument
Red Herring
Ad Hominem
This excerpt is an example of Faustus using which TWO Logical Fallacies?

Faustus: A surfeit of deadly sin that hath damned both body and soul.... Faustus' offense can never be pardoned. The serpent that tempted Eve may be saved, but not Faustus.
Equivocation
Slippery Slope // Hasty Generalization
Red Herring
Ad Hominem
Either...Or // False Dilemma
This dialogue is an example of Wagner using which Logical Fallacy?

Wagner: Will thou serve me [Clown]? ...Sirrah, leave your jesting, and bind yourself presently unto me for seven years, or I'll turn all the lice about thee into [devils] and they shall tear thee into pieces
Appeal to Bandwagon
Appeal to Scare Tactics
Appeal to False Authority
Appeal to Logos (not a logical fallacy)
In the beginning of the play, Faustus convinces himself of the following syllogism:

The consequences of sin is death.
If we say we have no sin, we deceive ourselves (all men sin)
Therefore, all men must be damned to everlasting death.

Line one and two of this syllogism are direct quotes from scripture... but Faustus forgets (or intentionally omits) the second half of each verse. Here's how it should read:

"The wages of sin is death,
but the gift of God is eternal life through Jesus Christ, Our Lord" (Romans 6:23)
"If we say that we have no sin, we deceive ourselves;
If we confess our sins, He is faithful and just to forgive us our sins." (I John 1:8)
Therefore, any man who confesses his sins and accepts Christ as their savior is saved.

This logical fallacy is an example of...
Slippery Slope
Hasty Generalization
Red Herring
Circular Argument
As opposed to Faustus' logic, by contrast Mephistopheles and Lucifer rely on _________ to persuade Faustus against repenting.
Appeals to Bandwagon
Appeals to Scare Tactics
Appeals to False Authority
Appeals to Logos (not a logical fallacy)

EXCERPT 1

Enter Helen

Faustus: Was this the face
that launched a thousand ships?
And burnt the topless towers of [Troy]?
Sweet Helen, make me immortal with a kiss.
Her lips suck forth my soul; see where it flies.
Come, Helen, come give me my soul again.
Here will I dwell, for heaven be in these lips,
And all is dross that is not Helena.

I will be Paris, and for love of thee,
Instead of Troy shall Wertenberg be sacked,
And I will combat with weak Menelaus,
And wear thy colours on my plumed crest;
Yea, I will wound Achilles in the heel,
And then return to Helen for a kiss.

O, thou art fairer than the evening air,
Clad in the beauty of a thousand stars,
...More lovely than the monarch of the sky
...And none but thou shalt be my paramour."
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EXCERPT 2

[The clock strikes eleven.]

(1) O Faustus,
Now hast thou but one bare hour to live,
And then thou must be damn’d perpetually!
Stand still, you ever-moving spheres of heaven,
That time may cease, and midnight never come;
Fair Nature’s eye, rise, rise again, and make
Perpetual day; or let this hour be but
A year, a month, a week, a natural day,
That Faustus may repent and save his soul!

(2) O lente, lente currite, noctis equi!
[O slowly, slowly run, horses of the night]
The stars move still, time runs, the clock will strike,
The devil will come, and Faustus must be damn’d.
O, I’ll leap up to heaven!—Who pulls me down?—
See, where Christ’s blood streams in the firmament!
One drop of blood will save me: O my Christ!—
Ah, rend not my heart for naming of my Christ;
Yet will I call on him: O, spare me, Lucifer!—
Where is it now? ’tis gone:
And see where God stretcheth out his arm,
And bends his ireful brows.
Mountains and hills, come, come, and fall on me,
And hide me from the heavy wrath of heaven!
No no, then will I headlong run into the earth:
Gape, earth! O, no, it will not harbour me!

(3) You stars that reigned at my nativity,
Whose influence hath allotted death and hell,
Now draw up Faustus, like a foggy mist,
Into the entrails of yon labouring cloud[s],
That, when you vomit forth into the air,
My limbs may issue from your smokey mouths;
But let my soul mount and ascend to heaven!

[The clock strikes the half-hour.]

(4) O, half the hour is past! ‘twill all be past anon.
O, if my soul must suffer for my sin,
Impose some end to my incessant pain;
Let Faustus live in hell a thousand years,
A hundred thousand, and at last be sav’d!
No end is limited to damned souls.
Why wert thou not a creature wanting soul?
Or why is this immortal that thou hast?
O, Pythagoras’ metempsychosis, were that true,
This soul should fly from me, and I be changed
Into some brutish beast!
All beasts are happy, for, when they die,
Their souls are soon dissolved in elements;
But mine must live still to be plagued in hell.
Cursed be the parents that engendered me!
No, Faustus, curse thyself, curse Lucifer
That hath deprived thee of the joys of heaven.

[The clock strikes twelve.]

(5) It strikes, it strikes! Now, body, turn to air,
Or Lucifer will bear thee quick to hell!
O soul, be chang’d into small water-drops,
And fall into the ocean, ne’er be found!
[ Thunder. Enter DEVILS. ]
My God, my God, look not so fierce on me!
Adders and serpents, let me breathe a while!
Ugly hell, gape not! come not, Lucifer;
I’ll burn my books!—Ah, Mephistophilis!
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EXCERPT from The Screwtape Letters, by C.S. Lewis

Background: In The Screwtape Letters, a devil uncle, Screwtape, writes encouraging letters to his devil nephew, Wormwood, giving advice on how to better corrupt the souls of mankind.
_______________________________________________

Chapter 1

My dear Wormwood,

(1) I note what you say about guiding your patient’s reading and taking care that he sees a good deal of his materialist friend. But are you not being a trifle naïve? It sounds as if you supposed that argument was the way to keep him out of the Enemy’s clutches. That might have been so if he had lived a few centuries earlier. At that time the humans still knew pretty well when a thing was proved and when it was not; and if it was proved they really believed it. They still connected thinking with doing and were prepared to alter their way of life as the result of a chain of reasoning. But what with the weekly press and other such weapons we have largely altered that. Your man has been accustomed, ever since he was a boy, to have a dozen incompatible philosophies dancing about together inside his head. He doesn’t think of doctrines as primarily “true” or “false”, but as “academic” or “practical”, “outworn” or “contemporary”, “conventional” or “ruthless”. Jargon, not argument, is your best ally in keeping him from the Church. Don’t waste time trying to make him think that materialism is true! Make him think it is strong, or stark, or courageous — that it is the philosophy of the future. That’s the sort of thing he cares about.

(2) The trouble about argument is that it moves the whole struggle onto the Enemy’s own ground. He can argue too; whereas in really practical propaganda of the kind I am suggesting He has been shown for centuries to be greatly the inferior of Our Father Below. By the very act of arguing, you awake the patient’s reason; and once it is awake, who can foresee the result? Even if a particular train of thought can be twisted so as to end in our favour, you will find that you have been strengthening in your patient the fatal habit of attending to universal issues and withdrawing his attention from the stream of immediate sense experiences. Your business is to fix his attention on the stream. Teach him to call it “real life” and don’t let him ask what he means by “real”.

(3) Remember, he is not, like you, a pure spirit. Never having been a human (Oh that abominable advantage of the Enemy’s!) you don’t realise how enslaved they are to the pressure of the ordinary. I once had a patient, a sound atheist, who used to read in the British Museum. One day, as he sat reading, I saw a train of thought in his mind beginning to go the wrong way. The Enemy, of course, was at his elbow in a moment. Before I knew where I was I saw my twenty years’ work beginning to totter. If I had lost my head and begun to attempt a defence by argument I should have been undone. But I was not such a fool. I struck instantly at the part of the man which I had best under my control and suggested that it was just about time he had some lunch. The Enemy presumably made the counter-suggestion (you know how one can never quite overhear what He says to them?) that this was more important than lunch. At least I think that must have been His line for when I said “Quite. In fact much too important to tackle at the end of a morning”, the patient brightened up considerably; and by the time I had added “Much better come back after lunch and go into it with a fresh mind”, he was already halfway to the door. Once he was in the street the battle was won. I showed him a newsboy shouting the midday paper, and a No. 73 bus going past, and before he reached the bottom of the steps I had got into him an unalterable conviction that, whatever odd ideas might come into a man’s head when he was shut up alone with his books, a healthy dose of “real life” (by which he meant the bus and the newsboy) was enough to show him that all “that sort of thing” just couldn’t be true. He knew he’d had a narrow escape and in later years was fond of talking about “that inarticulate sense for actuality which is our ultimate safeguard against the aberrations of mere logic”. He is now safe in Our Father’s house.

(4) You begin to see the point? Thanks to processes which we set at work in them centuries ago, they find it all but impossible to believe in the unfamiliar while the familiar is before their eyes. Keep pressing home on him the ordinariness of things. Above all, do not attempt to use science (I mean, the real sciences) as a defence against Christianity. They will positively encourage him to think about realities he can’t touch and see. There have been sad cases among the modern physicists. If he must dabble in science, keep him on economics and sociology; don’t let him get away from that invaluable “real life”. But the best of all is to let him read no science but to give him a grand general idea that he knows it all and that everything he happens to have picked up in casual talk and reading is “the results of modern investigation”. Do remember you are there to fuddle him. From the way some of you young fiends talk, anyone would suppose it was our job to teach!

Your affectionate uncle,
Screwtape
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Why does Faustus want Helen as his bride on his final day?
she is a distraction from his current agony
she makes him feel "immortal" and as if his soul is free
she is so beautiful it soothes his eyes from the disturbing horrors of hell
she makes him feel strong, maybe even strong enough to fight back
Both A and B
Both C and D
Faustus' summoning of Helen makes Marlowe's _____ of Helen real.
analogy
alliteration
allusion
allegory
Which of the following is the STRONGEST analytical statement?
This poem is a satire of Medieval Romance because it lowers Helen and reduces her to a prize to be won.
This poem is an Epic Poem that directly references the romance of Helen of Troy by the hero Paris.
This poem is a Medieval Romance, elevating Helen and celebrating her beauty from afar while citing his own heroic/chivalric virtues.
This poem is an ignoble Medieval Romance because while he is romancing her from afar, and he is elevating her, he corrupts the romance by debasing her with kisses.
In paragraph 1, what is Faustus's tone?
frustrated
peaceful
fatalistic
regretful
In paragraph 2, what does Faustus mean by "O lente, lente currite, noctis equi!" [O slowly, slowly run, horses of the night]
Faustus is making an allusion to the mythological chariot of Artemis, pulling her moon across the sky, and imploring the night to pass more slowly.
Faustus is referring to his magical horses that he and Mephistopheles have summoned and telling them to run quickly to him and save him.
Faustus is flexing his Latin/necromancy skills and attempting one least incantation to rescue him from his fate by slowing the movements of the spheres.
Faustus is regretting how slowly he has run from his the darkness of his doom. (Or, referencing how slowly we run away from sin when we are heavy with its darkness)
In paragraph 2 and 3, Faustus cries out to ________ to hide him from damnation.
the heavens (stars/clouds) and the earth
God / Christ
Lucifer
Mephistopheles
Both A and C
Both B and D
In paragraph 4, Faustus...
laments having a soul, or even being born at all, now that he will suffer for eternity and never see heaven.
prays that it will all be over faster so that he can dissolve into elements like an animal and be at peace.
blames his parents for making him the man that he is and setting him on this path to hell.
wishes he was more like an animal so he could be content with his beast-like behavior and be happy in hell.
In this monologue, what is keeping Faustus from repenting and asking for forgiveness?
his fear of hell
his fear of death
his fear of God's wrath
his fear of Lucifer/devils hurting him
Both A and B
Both C and D
Throughout this whole monologue, Faustus is begging for...
rescue
more time, less pain
a magical escape
salvation, forgiveness
Faustus repents and accepts Christ as his savior, but is damned to hell anyway.
True
False
Which of the following BEST paraphrases the first two lines?
Consider Faustus' maleficent success, death, and fall to hell as a warning to the wise.
Faustus has died in a hellish way in a way that devil's profited on, despite being warned by wise men.
Now that Faustus is gone, let's examine the path to hell and how it may look fortunate, but only to the unwise.
Beware Faustus, who is now a devil in hell, and he will try to tempt you, wise one, with the temptations of fortune.
Which of the following BEST paraphrases lines 3-5?
It is natural to ponder the things God has banned, but do not be drawn into their allure and power.
Think ahead before jumping into the deep hole that is banned arts (like alchemy) because they are banned by heaven for good reason.
Consider the ignoble things presented in this play and be wiser for them - we here have acted out a witty and deep lesson on why you must not go against heaven.
Forbidden knowledge tempts the intelligent and bold mind with its depth, but only think about such things; do not attempt to them.
According to these last lines of the play, why is knowledge dangerous?
it exhorts us to wonder at unlawful things
it regards our hellish fall from fortune
its of the "fiend" who pushes against heavenly power
it entices us to practice more than permitted
According to these last lines of the play, what should the audience BEWARE of allegorically?
the devil
people like Faustus
things that heaven forbids
fortune
In Paragraphs 1 and 2, Screwtape coaches his nephew to...
rely on philosophy and logic as a way to corrupt a soul
avoid philosophy and logic in corrupting a soul
rely on materialism and physical temptations to corrupt a soul
avoid materialism and physical temptations in corrupting a soul
In paragraph 3, Screwtape...
provides an anecdote of when he once won a soul by combating the philosophical thinking with "real life"
warns that hunger is a distracting weapon that can cripple someone's focus and cause you to lose their soul
proves that The Enemy will always be ready with a counter-argument, so you need better logical fallacies
offers sympathy because he also loses souls all the time because of little interruptions to someone's focus
Who is "The Enemy" in paragraph 3?
God
truth
Beelzebub
Lucifer
The bolded line at the end of paragraph 3 is an example of
sarcastic tone
dramatic irony
verbal irony
allegory
In paragraph 4, Screwtape ...
warns his nephew that science, especially the study of things unseen, is counter-productive
coaches his nephew to guide this soul into dismissing all that is not ordinary or part of real life
suggests that knowledge, and the pursuit of knowledge, is a useful strategy to winning souls
restates how important it is to teach and guide a soul down the wrong path, otherwise they'll get lost
Both A and B
Both C and D
What is C.S. Lewis' purpose in writing The Screwtape Letters?
illustrating an alternative way of living that aligns with Our Father Below
entertaining his audience with laugher and verbal puzzles
criticism of humanity and modern morality through humor
commentary on religion and its weaknesses or flaws
The Screwtape Letters are an example of...
allegory
morality play
tragedy
Faustian bargain
satire
Similar to this person being described in this text, Faustus is also distracted from salvation by...
intellectual and physical temptations
the logic and arguments of devils
scientific discoveries
philosophical and theological questions