Intake Quiz Form

Moving slower than usual

Moving quickly

Swimming to the East

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Full of light

Dark and gloomy

Slow and lazy

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Easily prided

Selfish and unwilling to help

Willing to give or share

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Shy

Bold

Energetic

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Empathetic

Cold-hearted

Selfish

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Serious

Playful

Cheerful

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Extreme wealth

Excessive spending

Extreme poorness

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Unreasonably high or excessive

Justifiable and reasonable

Modest and fair

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Running in a hockey field

Walking back and forth quickly

Being very wasteful while eating

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A strong desire for wealth

A form of kindness

Selflessness

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Looking through something in an organized and careful manner

Searching through something in a disorderly or hasty way

Observing something without touching it

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Energetic and lively

Very Weak

Enthusiastic and spirited

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Indifferently

Passionately

Calmly

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To fill or inspire

To empty or remove

To ignore or disregard feelings of others

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Foolish

Wise

Careless

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Good student, easily taught

Impossible to correct or reform

Very Corrupt official

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Intending to cause harm or pain

Being unaware of the consequences of one's actions

Feeling indifferent or neutral towards others

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Noticeable and attention-grabbing

Subtle and not easily noticed

Loud and aggressive

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Intense Curiosity

Extreme anger

Very Sad

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To criticize someone harshly for their actions

To feel or express understanding for someone's situation

To encourage someone to feel better through praise

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Energetic and motivated

Drowsy and sluggish

Excited and active

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Very chubby and big body mass

Stubborn and unyielding

Forgiving and understanding

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A pleasant and harmonious sound

A harsh, discordant mixture of sounds

Cows in a barn

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In a calm and peaceful manner

In a violent, turbulent, or stormy manner

In an hurried and rushed way

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Direct characterization explicitly describes a character’s traits, while indirect characterization reveals them through actions, dialogue, and interactions.

Direct characterization only occurs in first-person narratives, while indirect characterization is used in third-person narratives.

Direct characterization provides information about a character’s physical appearance, while indirect characterization focuses only on their thoughts.

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Dialogue is only used for exposition and sometimes reveals about a character’s voice and pitch

Dialogue helps build characters by showing their speech patterns, emotions, and interactions, advancing the plot naturally.

Dialogue is only effective when it is written in perfect grammar and complete sentences.

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Focalization refers to the point of view, while narration refers to who is actually telling the story.

They are the same concept and can be used interchangeably.

Focalization is only used in first-person narratives, while narration is only used in third-person narratives.

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It presents the narrative as a series of loosely connected events that contribute to character growth and thematic development.

It follows a strict three-act format with a single rising action leading to a climax and resolution.

It avoids character development by focusing only on plot-driven conflicts. It is often used in soap operas.

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A well-rounded character is based on a real person, while a flat character is purely fictional and always dramatic.

A well-rounded character is always the protagonist, while a flat character is always a minor side character.

A well-rounded character has multiple personality traits, experiences growth, and reacts realistically to events compared to a flat one.

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A metaphor is only used in poetry, while similes are only used in prose.

A simile directly compares two things using "like" or "as," while a metaphor makes an indirect comparison.

A simile is a much stronger form of comparison than a metaphor.

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A writing technique used only in mystery novels.

A storytelling device where characters tell each other stories from the past.

A technique where an author gives clues about future events to build suspense.

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The book was read by the students

I jumped over a hoop

Meatballs had fallen from the sky

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A figure of speech where a part of something represents the whole or vice versa.

A narrative technique where the protagonist interacts with an inanimate object as if it were alive.

A form of irony where the opposite of what is expected occurs.

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A literary device where nature or inanimate objects are given human emotions to reflect the emotional state of a character or situation.

A form of dramatic irony where the reader knows more than the characters about a natural disaster.

A technique where the emotions of characters are exaggerated to create intense drama.

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A type of symbolism where a character represents an abstract concept or idea.

A figure of speech in which something is referred to by the name of something closely associated with it.

A specific form of alliteration that repeats the same consonant sound throughout a passage.

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