MCAP Practice ELA 8 Section 2

Last updated 8 months ago

9 questions

Today you will read a passage from Banner in the Sky as well as a passage from Gathering Blue. You will answer questions and then write a response. 

Sixteen- year- old Rudi Matt leaves work secretively to climb a mountain in the heart of the Swiss Alps. Read the passage from Banner in the Sky. Then answer the questions. 

from Banner in the Sky by James Ramsey Ullman  

The cook muttered under his breath. But, almost at the same time, he smiled. He smiled because he knew what the boy was up to, and in his old heart he was glad.  

Outside, Rudi did not follow the alley to the main street. He went in the other direction, came to a second alley, and ran quickly through the back part of the town. He made a wide detour around his mother’s house; another around the house of his uncle, Franz Lerner. Fortunately he met no one who knew him— or at least who knew he was supposed to be working in the kitchen of the Beau Site.  

Soon he came to the edge of the town and a roaring brook. Across the brook lay a footbridge; but, instead of using it, he worked his way upstream around a bend and then crossed over, leaping agilely from boulder to boulder. From the far side he looked back. Apparently no one had seen him. Scrambling up the bank, he plunged through a clump of bushes, skirted a barnyard and picked up a path through the meadows. Here, for the first time, he stopped running. There was no living thing to be seen except a herd of grazing cows. The only sound was the tinkling of their bells.  

The meadows rolled gently, tilting upward, and their green slope was sprayed with wildflowers. The path crossed a fence, over a rickety stile, then bent and rejoined the brook; and now the cowbells faded and there was again the sound of rushing water. Rudi walked on. Three or four times he passed people going in the opposite direction, but they were only Ausländer— tourists— and nothing to worry about. Whatever guides were climbing that day were already high in the mountains. And any others who might have known and questioned him were back in the town or on their farms.  

Rudi smiled at the passersby. “Grüss Gott,” he said—“God’s Greetings”— in the ancient salutation of the Alps. “Grüss Gott,” they said in reply.  

He was no longer hurrying. He walked with the slow, rhythmic pace of the mountain people, and, though the path was now steepening sharply, he felt no strain. His legs, his lungs, all of his slight wiry body, were doing what they did best; what they had been born to do. His feet, through the soles of his shoes, moulded themselves to each hump and crevice of the path. Arms and shoulders swung in easy balance. His breathing was steady, his heartbeat strong and even.  

“A typical mountain boy,” one would have said, seeing him at a distance. But then, coming closer, one would have seen that he was not typical at all. Partly, this was because of his slimness, his lightness of muscle and bone; but even more it was in his small, almost delicate features and his fair, pink-and-white complexion. Rudi Matt hated his complexion. In summer he exposed his face for hours to the burning sun, in winter he scrubbed it violently with snow, trying to make it brown and tough and weather stained, as a mountain man’s should be. But no stain appeared. No whisker sprouted. “Angel- face,” the other boys called him. Or, rather, had called him, until they learned that his fists, though small, were useful. Most of the men of Kurtal had black hair. Rudi’s was blond. Most of them had dark eyes. Rudi’s were light— though exactly what color no one was quite sure. His mother called them hazel, but she saw them only when he was at home or around the village. When he left the village, when he climbed above it, they seemed to change, as the light changed. Looking up at the great peaks above the valley, they seemed to hold within themselves the gray of mountain rock, the blue of mountain sky.  

Rudi Matt climbed on. Now that he was no longer afraid of being stopped, his heart was filled with peace and joy. Just why he had run off on this particular day he could not have said. He had had to— that was all. He had looked from the window of the hotel kitchen and seen the peaks that rimmed the valley rising vast and shining in the morning sun; and he could no more have stopped himself than he could have stopped breathing. A few minutes before, he had been a prisoner. Now he was free. He no longer looked backward— only up— as slowly the great mountain world unfolded before him.

1 point

Question 1

Question 1 - In paragraph 3 of the passage from Banner in the Sky, what is the meaning of the word agilely?

A with strength

B with ease

C with courage

D with purpose

1 point

Question 2

Question 2 Part A - In the passage from Banner in the Sky, why does Rudi slow his pace as he climbs higher into the mountains?

A He is tired because he is not accustomed to hiking long distances.

B He is less worried about being discovered by someone who knows him.

C He wants to stop and talk with other hikers on the mountain.

D He needs to focus more carefully as the hike gets steeper

1 point

Question 3

Question 2 Part B - Which quotation from the passage best supports the answer to Part A?

A “. . . others who might have known and questioned him were back in the town or on their farms.” (paragraph 4)

B “‘Grüss Gott,’ he said—‘God’s Greetings’— in the ancient salutation of the Alps.” (paragraph 5)

C “His feet, through the soles of his shoes, moulded themselves to each hump and crevice of the path.” (paragraph 6)

D “Partly, this was because of his slimness, his lightness of muscle and bone. . . .” (paragraph 7)

Kira belongs to a futuristic society where her skills allow her to contribute to her community. Read the passage from Gathering Blue. Then answer the questions. 

from Gathering Blue by Lois Lowry  

The community cloth was drab, all no- color; the formless shifts and trousers worn by the people were woven and stitched for protection against the sudden occasional rain, thorn scratch, or poison berry. The usual village fabric was not decorated.  

But Kira’s mother had known the art of dye. It was from her stained hands that the colored threads used for rare ornamentation were produced. The robe worn each year by the Singer when he performed the Ruin Song was richly embroidered. The intricate scenes on it had been there for centuries, and the robe had been worn by each Singer and passed from one to the next. Once, many years before, Katrina had been asked to replace a few threads that had torn loose. Kira was only a small tyke then, but she remembered standing in the cott’s shadowed corner when a guardian brought the fabulous robe and waited while her mother made the small repair. She remembered watching, fascinated, as her mother pushed a bone needle with thick colorful thread through the fabric; gradually a bright gold replaced the small frayed spot on one sleeve. Then they had taken the robe away again.  

At that year’s Gathering, Kira remembered, both she and her mother had peered from their seats at the stage, trying to find the repaired place as the Singer moved his arms in gestures during the Song. But they were too far away, and the repaired spot was too small.  

Each year that followed, they had brought the ancient robe again to her mother for small repairs.  

“One day my daughter will be able to do this,” Katrina had said one year to the guardian. “Look what she has done!” she said and showed him the scrap that Kira had just completed, the one that had composed itself so magically in her fingers. “She has a skill far greater than mine.”  

Kira had stood silently, embarrassed but proud, as the guardian examined the threading she had done. He made no comment, simply nodded and returned the small piece to her. But his eyes had been bright with interest, she could see. Each year following, he had asked to see her work.

Kira always stood at her mother’s side, never touching the fragile ancient cloth, marveling each time at the rich hues that told the history of the world. Golds and reds and browns. And here and there, faded pale, almost reduced to white, there had once been blue. Her mother showed her the faded places that remained of it.  

Her mother did not know how to make blue. Sometimes they talked of it, Kira and Katrina, looking at the huge upturned bowl of sky above their world. “If only I could make blue,” her mother said. “I’ve heard that somewhere there is a special plant.” She looked out at her own garden, thick with the flowers and shoots from which she could create the golds and greens and pinks, and shook her head in yearning for the one color she could not create.

1 point

Question 4

Question 3 - Which three phrases from paragraph 2 of the passage from Gathering Blue best indicate the complexity of the Singer’s robe?

A “. . . the art of dye.”

B “. . . from her stained hands . . .”

C “. . . rare ornamentation . . .”

D “. . . richly embroidered.”

E “. . . intricate scenes . . .”

F “. . . passed from one to the next.”

1 point

Question 5

Question 4 - Which quotation from the passage from Gathering Blue provides the best evidence that Katrina is trusted by the community leaders?

A “Once, many years before, Katrina had been asked to replace a few threads that had torn loose.” (paragraph 2)

B “Each year that followed, they had brought the ancient robe again to her mother for small repairs.” (paragraph 4)

C “‘One day my daughter will be able to do this,’ Katrina had said one year to the guardian.” (paragraph 5)

D “Kira always stood at her mother’s side, never touching the fragile ancient cloth. . . .” (paragraph 7)

1 point

Question 6

Question 5 Part A - Based on the passage from Gathering Blue, which words best describe how Katrina wants the community leaders to think of her daughter, Kira?

A curious and thoughtful

B talented and gifted

C considerate and respectful

D confident and protective

1 point

Question 7

Question 5 Part B - Which quotation from the passage best supports the answer to Part A?

A “Kira was only a small tyke then, but she remembered standing in the cott’s shadowed corner when a guardian brought the fabulous robe. . . .” (paragraph 2)

B “. . . both she and her mother had peered from their seats at the stage, trying to find the repaired place as the Singer moved his arms in gestures during the Song.” (paragraph 3)

C “‘Look what she has done!’ she said and showed him the scrap that Kira had just completed, the one that had composed itself so magically in her fingers.” (paragraph 5)

D “Kira had stood silently, embarrassed but proud, as the guardian examined the threading she had done.” (paragraph 6)

1 point

Question 8

Question 6 - Which statement best describes how the author of each passage uses setting to develop the plot?

A The author of the passage from Banner in the Sky uses the setting to emphasize Rudi’s desire to connect with others, while the author of the passage from Gathering Blue uses the setting to emphasize Kira and Katrina’s desire to isolate from others.

B The author of the passage from Banner in the Sky uses the setting to describe Rudi’s effort to improve his skills at climbing, while the author of the passage from Gathering Blue uses the setting to describe how Kira and Katrina take their skills for granted.

C The author of the passage from Banner in the Sky uses the setting to highlight Rudi’s connection to the mountains, while the author of the passage from Gathering Blue uses the setting to highlight the connection between Kira and Katrina.

D The author of the passage from Banner in the Sky uses the setting to communicate Rudi’s lack of confidence, while the author of the passage from Gathering Blue uses the setting to communicate Kira and Katrina’s abundance of confidence.

1 point

Question 9

Question 7 - You have read the passage from Banner in the Sky and the passage from Gathering Blue. Write a response analyzing how the setting of each passage impacts the development of the characters. Use evidence from both passages to support your response.