Log inSign up for FREE
Library

Copy of The House on Mango Street 8 (6/23/2025)

Last updated 6 months ago
27 questions
Review 32-35
Sally
Sally is the girl with eyes like Egypt and nylons the color of smoke. The boys at school think she's beautiful because her hair is shiny black like raven feathers and when she laughs, she flicks her hair back like a satin shawl over her shoulders and laughs.

Her father says to be this beautiful is trouble. They are very strict in his religion. They are not supposed to dance. He remembers his sisters and is sad. Then she can't go out. Sally I mean.

Sally, who taught you to paint your eyes like Cleopatra? And if I roll the little brush with my tongue and chew it to a point and dip it in the muddy cake, the one in the little red box, will you teach me?

I like your black coat and those shoes you wear, where did you get them? My mother says to wear black so young is dangerous, but I want to buy shoes just like yours, like your black ones made out of suede, just like those. And one day, when my mother's in a good mood, maybe after my next birthday, I'm going to ask to buy the nylons too.

Cheryl, who is not your friend anymore, not since last Tuesday before Easter, not since the day you made her ear bleed, not since she called you that name and bit a hole in your arm and you looked as if you were going to cry and everyone was waiting and you didn't, you didn't, Sally, not since then, you don't have a best friend to lean against the schoolyard fence with, to laugh behind your hands at what the boys say. There is no one to lend you her hairbrush.

The stories the boys tell in the coatroom, they're not true. You lean against the schoolyard fence alone with your eyes closed as if no one was watching, as if no one could see you standing there, Sally. What do you think about when you close your eyes like that? And why do you always have to go straight home after school? You become a different Sally. You pull your skirt straight, you rub the blue paint off your eyelids. You don't laugh, Sally. You look at your feet and walk fast to the house you can't come out from.

Sally, do you sometimes wish you didn't have to go home? Do you wish your feet would one day keep walking and take you far away from Mango Street, far away and maybe your feet would stop in front of a house, a nice one with flowers and big windows and steps for you to climb up two by two upstairs to where a room is waiting for you. And if you opened the little window latch and gave it a shove, the windows would swing open, all the sky would come in. There'd be no nosy neighbors watching, no motorcycles and cars, no sheets and towels and laundry. Only trees and more trees and plenty of blue sky. And you could laugh, Sally. You could go to sleep and wake up and never have to think who likes and doesn't like you.

You could close your eyes and you wouldn't have to worry what people said because you never belonged here anyway and nobody could make you sad and nobody would think you're strange because you like to dream and dream. And no one could yell at you if they saw you out in the dark leaning against a car, leaning against somebody without someone thinking you are bad, without somebody saying it is wrong, without the whole world waiting for you to make a mistake when all you wanted, all you wanted, Sally, was to love and to love and to love and to love, and no one could call that crazy.
1

Who is Sally and how does Esperanza feel about her?

1

Is Sally lying if she is one type of person at home and another person at school? Which is the true Sally?

Minerva Writes Poems
Minerva is only a little bit older than me but already she has two kids and a husband who left.

Her mother raised her kids alone and it looks like her daughters will go that way too. Minerva cries because her luck is unlucky. Every night and every day. And prays. But when the kids are asleep after she's fed them their pancake dinner, she writes poems on little pieces of paper that she folds over and over and holds in her hands a long time, little pieces of paper that smell like a dime.

She lets me read her poems. I let her read mine. She is always sad like a house on fire—always something wrong. She has many troubles, but the big one is her husband who left and keeps leaving.

One day she is through and lets him know enough is enough. Out the door he goes. Clothes, records, shoes. Out the window and the door locked. But that night he comes back and sends a big rock through the window. Then he is sorry and she opens the door again. Same story.

Next week she comes over black and blue and asks what can she do? Minerva. I don't know which way she'll go. There is nothing I can do.
1

Describe Minerva’s relationship with her husband.

1

Why do you think Minerva threw her husband out of the apartment? Why do you think she took him back? Do you think she had another choice?

Bums in the Attic
I want a house on a hill like the ones with the gardens where Papa works. We go on Sundays, Papa's day off. I used to go. I don't anymore. You don't like to go out with us, Papa says. Getting too old? Getting too stuck-up, says Nenny. I don't tell them I am ashamed—all of us staring out the window like the hungry. I am tired of looking at what we can't have. When we win the lottery . . . Mama begins, and then I stop listening.

People who live on hills sleep so close to the stars they forget those of us who live too much on earth. They don't look down at all except to be content to live on hills. They have nothing to do with last week's garbage or fear of rats. Night comes. Nothing wakes them but the wind.

One day I'll own my own house, but I won't forget who I am or where I came from. Passing bums will ask, Can I come in? I'll offer them the attic, ask them to stay, because I know how it is to be without a house.

Some days after dinner, guests and I will sit in front of a fire. Floorboards will squeak upstairs. The attic grumble.

Rats? they'll ask.

Bums, I'll say, and I'll be happy.
1

What does the family do together on Sundays? Why does Esperanza stop going?

1

Many people want to help the homeless, but feel afraid or powerless to do so. What are some simple ways people can help the homeless in their communities?

Beautiful & Cruel
I am an ugly daughter. I am the one nobody comes for.

Nenny says she won't wait her whole life for a husband to come and get her, that Minerva's sister left her mother's house by having a baby, but she doesn't want to go that way either. She wants things all her own, to pick and choose. Nenny has pretty eyes and it's easy to talk that way if you are pretty.

My mother says when I get older my dusty hair will settle and my blouse will learn to stay clean, but I have decided not to grow up tame like the others who lay their necks on the threshold waiting for the ball and chain.

In the movies there is always one with red red lips who is beautiful and cruel. She is the one who drives the men crazy and laughs them all away. Her power is her own. She will not give it away.

I have begun my own quiet war. Simple. Sure. I am one who leaves the table like a man, without putting back the chair or picking up the plate.
1

What “quiet war” has Esperanza begun? What is the first step in that war for her?

1

Do you believe, as Esperanza does, that people who are beautiful can also be cruel and controlling? Why or why not? Support your opinion with personal experience.

Vignette 36-37
A Smart Cookie
I could've been somebody, you know? my mother says and sighs. She has lived in this city her whole life. She can speak two languages. She can sing an opera. She knows how to fix a TV. But she doesn't know which subway train to take to get downtown. I hold her hand very tight while we wait for the right train to arrive. She used to draw when she had time. Now she draws with a needle and thread, little knotted rosebuds, tulips made of silk thread. Someday she would like to go to the ballet. Someday she would like to see a play. She borrows opera records from the public library and sings with velvety lungs powerful as morning glories.

Today while cooking oatmeal she is Madame Butterfly until she sighs and points the wooden spoon at me. I could've been somebody, you know? Esperanza, you go to school. Study hard. That Madame Butterfly was a fool. She stirs the oatmeal. Look at my comadres. She means Izaura whose husband left and Yolanda whose husband is dead. Got to take care all your own, she says shaking her head.

Then out of nowhere:

Shame is a bad thing, you know? It keeps you down. You want to know why I quit school? Because I didn't have nice clothes. No clothes, but I had brains.

Yup, she says disgusted, stirring again. I was a smart cookie then.
1

What kinds of skills does Esperanza’s mother have? What does she dream of doing?

1

Why did Esperanza’s mother quit school? Do you think she could go back now? Why?

1

What is a decision you made that has changed your life forever? Do you have any regrets?

What Sally Said
He never hits me hard. She said her mama rubs lard on all the places where it hurts. Then at school she'd say she fell. That's where all the blue places come from. That's why her skin is always scarred.

But who believes her. A girl that big, a girl who comes in with her pretty face all beaten and black can't be falling off the stairs. He never hits me hard.

But Sally doesn't tell about that time he hit her with his hands just like a dog, she said, like if I was an animal. He thinks I'm going to run away like his sisters who made the family ashamed. Just because I'm a daughter, and then she doesn't say.

Sally was going to get permission to stay with us a little and one Thursday she came finally with a sack full of clothes and a paper bag of sweetbread her mama sent. And would've stayed too except when the dark came her father, whose eyes were little from crying, knocked on the door and said please come back, this is the last time. And she said Daddy and went home.

Then we didn't need to worry. Until one day Sally's father catches her talking to a boy and the next day she doesn't come to school. And the next. Until the way Sally tells it, he just went crazy, he just forgot he was her father between the buckle and the belt.

You're not my daughter, you're not my daughter. And then he broke into his hands.
1

What does Sally say about her father? What does Esperanza know?

1

How do you think Esperanza feels about the situation? Why do you think that?

1

Why aren’t Sally’s mother, teachers, and friends helping her? What should they do?

Homework: 38-40
The Monkey Garden
The monkey doesn't live there anymore. The monkey moved—to Kentucky—and took his people with him. And I was glad because I couldn't listen anymore to his wild screaming at night, the twangy yakkety-yak of the people who owned him. The green metal cage, the porcelain tabletop, the family that spoke like guitars. Monkey, family, table. All gone. And it was then we took over the garden we had been afraid to go into when the monkey screamed and showed its yellow teeth.

There were sunflowers big as flowers on Mars and thick cockscombs bleeding the deep red fringe of theater curtains. There were dizzy bees and bow-tied fruit flies turning somersaults and humming in the air. Sweet sweet peach trees. Thorn roses and thistle and pears. Weeds like so many squinty-eyed stars and brush that made your ankles itch and itch until you washed with soap and water. There were big green apples hard as knees. And everywhere the sleepy smell of rotting wood, damp earth and dusty hollyhocks thick and perfumy like the blue-blond hair of the dead.

Yellow spiders ran when we turned rocks over and pale worms blind and afraid of light rolled over in their sleep. Poke a stick in the sandy soil and a few blue-skinned beetles would appear, an avenue of ants, so many crusty ladybugs. This was a garden, a wonderful thing to look at in the spring. But bit by bit, after the monkey left, the garden began to take over itself. Flowers stopped obeying the little bricks that kept them from growing beyond their paths. Weeds mixed in. Dead cars appeared overnight like mushrooms. First one and then another and then a pale blue pickup with the front windshield missing.

Before you knew it, the monkey garden became filled with sleepy cars.

Things had a way of disappearing in the garden, as if the garden itself ate them, or, as if with its old-man memory, it put them away and forgot them. Nenny found a dollar and a dead mouse between two rocks in the stone wall where the morning glories climbed, and once when we were playing hide-and-seek, Eddie Vargas laid his head beneath a hibiscus tree and fell asleep there like a Rip Van Winkle until somebody remembered he was in the game and went back to look for him.

This, I suppose, was the reason why we went there. Far away from where our mothers could find us.

We and a few old dogs who lived inside the empty cars. We made a clubhouse once on the back of that old blue pickup. And besides, we liked to jump from the roof of one car to another and pretend they were giant mushrooms.

Somebody started the lie that the monkey garden had been there before anything. We liked to think the garden could hide things for a thousand years. There beneath the roots of soggy flowers were the bones of murdered pirates and dinosaurs, the eye of a unicorn turned to coal.

This is where I wanted to die and where I tried one day but not even the monkey garden would have me. It was the last day I would go there.

Who was it that said I was getting too old to play the games? Who was it I didn't listen to? I only remember that when the others ran, I wanted to run too, up and down and through the monkey garden, fast as the boys, not like Sally who screamed if she got her stockings muddy.

I said, Sally, come on, but she wouldn't. She stayed by the curb talking to Tito and his friends.

Play with the kids if you want, she said, I'm staying here. She could be stuck-up like that if she wanted to, so I just left.

It was her own fault too. When I got back Sally was pretending to be mad. . . something about the boys having stolen her keys. Please give them back to me, she said punching the nearest one with a soft fist. They were laughing. She was too. It was a joke I didn't get.

I wanted to go back with the other kids who were still jumping on cars, still chasing each other through the garden, but Sally had her own game.

One of the boys invented the rules. One of Tito's friends said you can't get the keys back unless you kiss us and Sally pretended to be mad at first but she said yes. It was that simple.

I don't know why, but something inside me wanted to throw a stick. Something wanted to say no when I watched Sally going into the garden with Tito's buddies all grinning. It was just a kiss, that's all. A kiss for each one. So what, she said.

Only how come I felt angry inside. Like something wasn't right. Sally went behind that old blue pickup to kiss the boys and get her keys back, and I ran up three flights of stairs to where Tito lived.

His mother was ironing shirts. She was sprinkling water on them from an empty pop bottle and smoking a cigarette.

Your son and his friends stole Sally's keys and now they won't give them back unless she kisses them and right now they're making her kiss them, I said all out of breath from the three flights of stairs.

Those kids, she said, not looking up from her ironing.

That's all?

What do you want me to do, she said, call the cops? And kept on ironing.

I looked at her a long time, but couldn't think of anything to say, and ran back down the three flights to the garden where Sally needed to be saved. I took three big sticks and a brick and figured this was enough.

But when I got there Sally said go home. Those boys said leave us alone. I felt stupid with my brick. They all looked at me as if I was the one that was crazy and made me feel ashamed.

And then I don't know why but I had to run away. I had to hide myself at the other end of the garden, in the jungle part, under a tree that wouldn't mind if I lay down and cried a long time. I closed my eyes like tight stars so that I wouldn't, but I did. My face felt hot. Everything inside hiccupped.

I read somewhere in India there are priests who can will their heart to stop beating. I wanted to will my blood to stop, my heart to quit its pumping. I wanted to be dead, to turn into the rain, my eyes melt into the ground like two black snails. I wished and wished. I closed my eyes and willed it, but when I got up my dress was green and I had a headache.

I looked at my feet in their white socks and ugly round shoes. They seemed far away. They didn't seem to be my feet anymore. And the garden that had been such a good place to play didn't seem mine either.
Required
1

What significant change occurred in the garden after the monkey left?

Required
1

How did the narrator and other children use the garden?

Required
1

What was the narrator's reaction when she saw Sally with Tito's friends?

Required
1

What happened when the narrator tried to "save" Sally?

Required
1

What does the ending of the passage suggest about the narrator?

Red Clowns
Sally, you lied. It wasn't what you said at all. What he did. Where he touched me. I didn't want it, Sally. The way they said it, the way it's supposed to be, all the storybooks and movies, why did you lie to me?

I was waiting by the red clowns. I was standing by the tilt-a-whirl where you said. And anyway I don't like carnivals. I went to be with you because you laugh on the tilt-a-whirl, you throw your head back and laugh. I hold your change, wave, count how many times you go by. Those boys that look at you because you're pretty. I like to be with you, Sally. You're my friend. But that big boy, where did he take you? I waited such a long time. I waited by the red clowns, just like you said, but you never came, you never came for me.

Sally Sally a hundred times. Why didn't you hear me when I called? Why didn't you tell them to leave me alone? The one who grabbed me by the arm, he wouldn't let me go. He said I love you, Spanish girl, I love you, and pressed his sour mouth to mine.

Sally, make him stop. I couldn't make them go away. I couldn't do anything but cry. I don't remember. It was dark. I don't remember. I don't remember. Please don't make me tell it all.

Why did you leave me all alone? I waited my whole life. You're a liar. They all lied. All the books and magazines, everything that told it wrong. Only his dirty fingernails against my skin, only his sour smell again. The moon that watched. The tilt-a-whirl. The red clowns laughing their thick-tongue laugh.

Then the colors began to whirl. Sky tipped. Their high black gym shoes ran. Sally, you lied, you lied. He wouldn't let me go. He said I love you, I love you, Spanish girl.
Required
1

What is the primary emotion expressed by the narrator throughout this passage?

Required
1

What was the narrator's original reason for going to the carnival?

Required
1

Which statement best describes the narrator's relationship with Sally?

Required
1

What does the passage suggest about the narrator's previous understanding of romance compared to her actual experience?

Linoleum Roses
Sally got married like we knew she would, young and not ready but married just the same. She met a marshmallow salesman at a school bazaar, and she married him in another state where it's legal to get married before eighth grade. She has her husband and her house now, her pillowcases and her plates. She says she is in love, but I think she did it to escape.

Sally says she likes being married because now she gets to buy her own things when her husband gives her money. She is happy, except sometimes her husband gets angry and once he broke the door where his foot went through, though most days he is okay. Except he won't let her talk on the telephone. And he doesn't let her look out the window. And he doesn't like her friends, so nobody gets to visit her unless he is working.

She sits at home because she is afraid to go outside without his permission. She looks at all the things they own: the towels and the toaster, the alarm clock and the drapes. She likes looking at the walls, at how neatly their corners meet, the linoleum roses on the floor, the ceiling smooth as wedding cake.
Required
1

What is the main reason the narrator believes Sally got married?

Required
1

How does Sally's husband control her?

Required
1

What detail suggests Sally married at an extremely young age?

Required
1

What is Sally's attitude toward her possessions?