Copy of The House on Mango Street 4 (6/23/2025)
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Last updated 6 months ago
23 questions
Review 12-15
Those Who Don't
Those who don't know any better come into our neighborhood scared. They think we're dangerous.
They think we will attack them with shiny knives. They are stupid people who are lost and got here by mistake. But we aren't afraid. We know the guy with the crooked eye is Davey the Baby's brother, and the tall one next to him in the straw brim, that's Rosa's Eddie V., and the big one that looks like a dumb grown man, he's Fat Boy, though he's not fat anymore nor a boy.
All brown all around, we are safe. But watch us drive into a neighborhood of another color and our knees go shakity-shake and our car windows get rolled up tight and our eyes look straight. Yeah. That is how it goes and goes.
1
How do strangers feel in Esperanza’s neighborhood? How is that different from the feelings Esperanza and her neighbors have?
How do strangers feel in Esperanza’s neighborhood? How is that different from the feelings Esperanza and her neighbors have?
1
In this vignette, Esperanza states, “All brown all around, we are safe.” What aspects, aside from race, separate people from others who are different? Do you think segregation or integration is the way to build safe neighborhoods and cities? Why?
In this vignette, Esperanza states, “All brown all around, we are safe.” What aspects, aside from race, separate people from others who are different? Do you think segregation or integration is the way to build safe neighborhoods and cities? Why?
There Was an Old Woman She Had So Many Children She Didn't Know What to Do
Rosa Vargas' kids are too many and too much. It's not her fault you know, except she is their mother and only one against so many.
They are bad those Vargases, and how can they help it with only one mother who is tired all the time from buttoning and bottling and babying, and who cries every day for the man who left without even leaving a dollar for bologna or a note explaining how come.
The kids bend trees and bounce between cars and dangle upside down from knees and almost break like fancy museum vases you can't replace. They think it's funny. They are without respect for all things living, including themselves.
But after a while you get tired of being worried about kids who aren't even yours. One day they are playing chicken on Mr. Benny's roof. Mr. Benny says, Hey ain't you kids know better than to be swinging up there? Come down, you come down right now, and then they just spit.
See. That's what I mean. No wonder everybody gave up. Just stopped looking out when little Efren chipped his buck tooth on a parking meter and didn't even stop Refugia from getting her head stuck between two slats in the back gate and nobody looked up not once the day Angel Vargas learned to fly and dropped from the sky like a sugar donut, just like a falling star, and exploded down to earth without even an "Oh."
1
Who is Rosa Vargas? Describe her life.
Who is Rosa Vargas? Describe her life.
1
How do other people in the neighborhood react to the Vargas children?
How do other people in the neighborhood react to the Vargas children?
1
Do you think a society should work together to take care of its children, or should parents govern only their own children? What are responsibilities that should be shared in the society and others that should fall to the parents alone?
Do you think a society should work together to take care of its children, or should parents govern only their own children? What are responsibilities that should be shared in the society and others that should fall to the parents alone?
Alicia Who Sees Mice
Close your eyes and they'll go away, her father says, or You're just imagining. And anyway, a woman's place is sleeping so she can wake up early with the tortilla star, the one that appears early just in time to rise and catch the hind legs hide behind the sink, beneath the four-clawed tub, under the swollen floorboards nobody fixes, in the corner of your eyes.
Alicia, whose mama died, is sorry there is no one older to rise and make the lunchbox tortillas.
Alicia, who inherited her mama's rolling pin and sleepiness, is young and smart and studies for the first time at the university. Two trains and a bus, because she doesn't want to spend her whole life in a factory or behind a rolling pin. Is a good girl, my friend, studies all night and sees the mice, the ones her father says do not exist. Is afraid of nothing except four-legged fur. And fathers.
1
What are Alicia’s responsibilities at home? Why?
What are Alicia’s responsibilities at home? Why?
Darius & the Clouds
You can never have too much sky. You can fall asleep and wake up drunk on sky, and sky can keep you safe when you are sad. Here there is too much sadness and not enough sky. Butterflies too are few and so are flowers and most things that are beautiful. Still, we take what we can get and make the best of it.
Darius, who doesn't like school, who is sometimes stupid and mostly a fool, said something wise today, though most days he says nothing. Darius, who chases girls with firecrackers or a stick that touched a rat and thinks he's tough, today pointed up because the world was full of clouds, the kind like pillows.
You all see that cloud, that fat one there? Darius said, See that? Where? That one next to the one that look like popcorn. That one there. See that. That's God, Darius said. God? somebody little asked. God, he said, and made it simple.
1
What does Esperanza think there is a shortage of on Mango Street?
What does Esperanza think there is a shortage of on Mango Street?
Vignettes 16-18
And Some More
The Eskimos got thirty different names for snow, I say. I read it in a book.
I got a cousin, Rachel says, she got three different names.
There ain't thirty different kinds of snow, Lucy says. There are two kinds. The clean kind and the dirty kind, clean and dirty. Only two.
There are a million zillion kinds, says Nenny. No two exactly alike. Only how do you remember which one is which?
She got three last names and, let me see, two first names. One in English and one in Spanish . . .
And clouds got at least ten different names, I say.
Names for clouds? Nenny asks. Names just like you and me?
That up there, that's cumulus, and everybody looks up.
Cumulus are cute, Rachel says. She would say something like that.
What's that one there? Nenny asks, pointing a finger.
That's cumulus too. They're all cumulus today. Cumulus, cumulus, cumulus.
No, she says. That there is Nancy, otherwise known as Pig-eye. And over there her cousin Mildred, and little Joey, Marco, Nereida and Sue.
There are all different kinds of clouds. How many different kinds of clouds can you think of?
Well, there's these already that look like shaving cream . . .
And what about the kind that looks like you combed its hair? Yes, those are clouds too.
Phyllis, Ted, Alfredo and Julie . . .
There are clouds that look like big fields of sheep, Rachel says. Them are my favorite.
And don't forget nimbus the rain cloud, I add, that's something.
Jose and Dagoberto, Alicia, Raul, Edna, Alma and Rickey. . .
There's that wide puffy cloud that looks like your face when you wake up after falling asleep with all your clothes on.
Reynaldo, Angelo, Albert, Armando, Mario . . .
Not my face. Looks like your fat face.
Rita, Margie, Ernie . . .
Whose fat face?
Esperanza's fat face, that's who. Looks like Esperanza's ugly face when she comes to school in the morning.
Anita, Stella, Dennis, and Lolo . . .
Who you calling ugly, ugly?
Richie, Yolanda, Hector, Stevie, Vincent...
Not you. Your mama, that's who.
My mama? You better not be saying that, Lucy Guerrero. You better not be talking like that. . .
else you can say goodbye to being my friend forever.
I'm saying your mama's ugly like . . . ummm . . .
... like bare feet in September!
That does it! Both of yous better get out of my yard before I call my brothers.
Oh, we're only playing.
I can think of thirty Eskimo words for you, Rachel. Thirty words that say what you are.
Oh yeah, well I can think of some more.
Uh-oh, Nenny. Better get the broom. Too much trash in our yard today.
Frankie, Licha, Maria, Pee Wee . . .
Nenny, you better tell your sister she is really crazy because Lucy and me are never coming back here again. Forever.
Reggie, Elizabeth, Lisa, Louie ...
You can do what you want to do, Nenny, but you better not talk to Lucy or Rachel if you want to be my sister.
You know what you are, Esperanza? You are like the Cream of Wheat cereal. You're like the lumps.
Yeah, and you're foot fleas, that's you.
Chicken lips.
Rosemary, Dalia, Lily. . .
Cockroach jelly.
Jean, Geranium and Joe . . .
Cold frijoles.
Mimi, Michael, Moe . . .
Your mama's frijoles.
Your ugly mama's toes.
That's stupid.
Bebe, Blanca, Benny. . .
Who's stupid?
Rachel, Lucy, Esperanza and Nenny.
1
What starts the disagreement between the girls?
What starts the disagreement between the girls?
1
Do you think it is normal and acceptable for friends to call each other names and insult each other, like Esperanza, Rachel, and Lucy do in this vignette? Is it all in fun, or does it really hurt feelings? Does it strengthen a friendship or weaken it? Use personal experience to support your ideas.
Do you think it is normal and acceptable for friends to call each other names and insult each other, like Esperanza, Rachel, and Lucy do in this vignette? Is it all in fun, or does it really hurt feelings? Does it strengthen a friendship or weaken it? Use personal experience to support your ideas.
The Family of Little Feet
There was a family. All were little. Their arms were little, and their hands were little, and their height was not tall, and their feet very small.
The grandpa slept on the living room couch and snored through his teeth. His feet were fat and doughy like thick tamales, and these he powdered and stuffed into white socks and brown leather shoes.
The grandma's feet were lovely as pink pearls and dressed in velvety high heels that made her walk with a wobble, but she wore them anyway because they were pretty.
The baby's feet had ten tiny toes, pale and see-through like a salamanders, and these he popped into his mouth whenever he was hungry.
The mother's feet, plump and polite, descended like white pigeons from the sea of pillow, across the linoleum roses, down down the wooden stairs, over the chalk hopscotch squares, 5, 6, 7, blue sky.
Do you want this? And gave us a paper bag with one pair of lemon shoes and one red and one pair of dancing shoes that used to be white but were now pale blue. Here, and we said thank you and waited until she went upstairs.
Hurray! Today we are Cinderella because our feet fit exactly, and we laugh at Rachel's one foot with a girl's gray sock and a lady's high heel. Do you like these shoes? But the truth is it is scary to look down at your foot that is no longer yours and see attached a long long leg.
Everybody wants to trade. The lemon shoes for the red shoes, the red for the pair that were once white but are now pale blue, the pale blue for the lemon, and take them off and put them back on and keep on like this a long time until we are tired.
Then Lucy screams to take our socks off and yes, it's true. We have legs. Skinny and spotted with satin scars where scabs were picked, but legs, all our own, good to look at, and long.
It's Rachel who learns to walk the best all strutted in those magic high heels. She teaches us to cross and uncross our legs, and to run like a double-dutch rope, and how to walk down to the corner so that the shoes talk back to you with every step. Lucy, Rachel, me tee-tottering like so. Down to the corner where the men can't take their eyes off us. We must be Christmas.
Mr. Benny at the corner grocery puts down his important cigar: Your mother know you got shoes like that? Who give you those?
Nobody.
Them are dangerous, he says. You girls too young to be wearing shoes like that. Take them shoes off before I call the cops, but we just run.
On the avenue a boy on a homemade bicycle calls out: Ladies, lead me to heaven.
But there is nobody around but us.
Do you like these shoes? Rachel says yes, and Lucy says yes, and yes I say, these are the best shoes. We will never go back to wearing the other kind again. Do you like these shoes?
In front of the laundromat six girls with the same fat face pretend we are invisible. They are the cousins, Lucy says, and always jealous. We just keep strutting.
Across the street in front of the tavern a bum man on the stoop.
Do you like these shoes?
Bum man says, Yes, little girl. Your little lemon shoes are so beautiful. But come closer. I can't see very well. Come closer. Please.
You are a pretty girl, bum man continues. What's your name, pretty girl?
And Rachel says Rachel, just like that.
Now you know to talk to drunks is crazy and to tell them your name is worse, but who can blame her. She is young and dizzy to hear so many sweet things in one day, even if it is a bum man's whiskey words saying them.
Rachel, you are prettier than a yellow taxicab. You know that?
But we don't like it. We got to go, Lucy says.
If I give you a dollar will you kiss me? How about a dollar. I give you a dollar, and he looks in his pocket for wrinkled money.
We have to go right now, Lucy says taking Rachel's hand because she looks like she's thinking about that dollar.
Bum man is yelling something to the air but by now we are running fast and far away, our high heel shoes taking us all the way down the avenue and around the block, past the ugly cousins, past Mr.
Benny's, up Mango Street, the back way, just in case.
We are tired of being beautiful. Lucy hides the lemon shoes and the red shoes and the shoes that used to be white but are now pale blue under a powerful bushel basket on the back porch, until one Tuesday her mother, who is very clean, throws them away. But no one complains.
1
What discovery do the girls make because of the gifts? Why do you think they just made this discovery now?
What discovery do the girls make because of the gifts? Why do you think they just made this discovery now?
1
How does the behavior of the boys and men in the neighborhood change?
How does the behavior of the boys and men in the neighborhood change?
1
Is it fair that women and men are categorized and judged by the clothing they wear? What are the benefits and disadvantages of such judgment?
Is it fair that women and men are categorized and judged by the clothing they wear? What are the benefits and disadvantages of such judgment?
A Rice Sandwich
The special kids, the ones who wear keys around their necks, get to eat in the canteen. The canteen! Even the name sounds important. And these kids at lunch time go there because their mothers aren't home or home is too far away to get to.
My home isn't far but it's not close either, and somehow I got it in my head one day to ask my mother to make me a sandwich and write a note to the principal so I could eat in the canteen too.
Oh no, she says pointing the butter knife at me as if I'm starting trouble, no sir. Next thing you know everybody will be wanting a bag lunch—I'll be up all night cutting bread into little triangles, this one with mayonnaise, this one with mustard, no pickles on mine, but mustard on one side please. You kids just like to invent more work for me.
But Nenny says she doesn't want to eat at school—ever—because she likes to go home with her best friend Gloria who lives across the schoolyard. Gloria's mama has a big color TV and all they do is watch cartoons. Kiki and Carlos, on the other hand, are patrol boys. They don't want to eat at school either. They like to stand out in the cold especially if it's raining. They think suffering is good for you ever since they saw that movie 300 Spartans.
I'm no Spartan and hold up an anemic wrist to prove it. I can't even blow up a balloon without getting dizzy. And besides, I know how to make my own lunch. If I ate at school there'd be less dishes to wash. You would see me less and less and like me better. Everyday at noon my chair would be empty. Where is my favorite daughter you would cry, and when I came home finally at three p.m. you would appreciate me.
Okay, okay, my mother says after three days of this. And the following morning I get to go to school with my mother's letter and a rice sandwich because we don't have lunch meat.
Mondays or Fridays, it doesn't matter, mornings always go by slow and this day especially. But lunchtime came finally and I got to get in line with the stay-at-school kids. Everything is fine until the nun who knows all the canteen kids by heart looks at me and says: You, who sent you here? And since I am shy, I don't say anything, just hold out my hand with the letter. This is no good, she says, till Sister Superior gives the okay. Go upstairs and see her. And so I went.
I had to wait for two kids in front of me to get hollered at, one because he did something in class, the other because he didn't. My turn came and I stood in front of the big desk with holy pictures under the glass while the Sister Superior read my letter. It went like this: Dear Sister Superior,
Please let Esperanza eat in the lunchroom because she lives too far away and she gets tired. As you can see she is very skinny. I hope to God she does not faint.
Thanking you,
Mrs. E. Cordero
You don't live far, she says. You live across the boulevard. That's only four blocks. Not even. Three maybe. Three long blocks away from here. I bet I can see your house from my window. Which one? Come here.
Which one is your house?
And then she made me stand up on a box of books and point. That one? she said, pointing to a row of ugly three-flats, the ones even the raggedy men are ashamed to go into. Yes, I nodded even though I knew that wasn't my house and started to cry. I always cry when nuns yell at me, even if they're not yelling.
Then she was sorry and said I could stay—just for today, not tomorrow or the day after—you go home. And I said yes and could I please have a Kleenex—I had to blow my nose.
In the canteen, which was nothing special, lots of boys and girls watched while I cried and ate my sandwich, the bread already greasy and the rice cold.
1
Which reasons does Esperanza use to convince her mother to write a note for her?
Which reasons does Esperanza use to convince her mother to write a note for her?
1
What was Esperanza’s experience in the canteen?
What was Esperanza’s experience in the canteen?
1
Describe a situation in which you got something you really wanted because you thought it was very special, but once you had it, it was nothing like you expected?
Describe a situation in which you got something you really wanted because you thought it was very special, but once you had it, it was nothing like you expected?
Homework: Vin. 19-20
Chanclas
It's me—Mama, Mama said. I open up and she's there with bags and big boxes, the new clothes and, yes, she's got the socks and a new slip with a little rose on it and a pink-and-white striped dress. What about the shoes? I forgot. Too late now. I'm tired. Whew!
Six-thirty already and my little cousin's baptism is over. All day waiting, the door locked, don't open up for nobody, and I don't till Mama gets back and buys everything except the shoes.
Now Uncle Nacho is coming in his car, and we have to hurry to get to Precious Blood Church quick because that's where the baptism party is, in the basement rented for today for dancing and tamales and everyone's kids running all over the place.
Mama dances, laughs, dances. All of a sudden, Mama is sick. I fan her hot face with a paper plate. Too many tamales, but Uncle Nacho says too many this and tilts his thumb to his lips.
Everybody laughing except me, because I'm wearing the new dress, pink and white with stripes, and new underclothes and new socks and the old saddle shoes I wear to school, brown and white, the kind I get every September because they last long and they do. My feet scuffed and round, and the heels all crooked that look dumb with this dress, so I just sit.
Meanwhile that boy who is my cousin by first communion or something asks me to dance and I can't. Just stuff my feet under the metal folding chair stamped Precious Blood and pick on a wad of brown gum that's stuck beneath the seat. I shake my head no. My feet growing bigger and bigger.
Then Uncle Nacho is pulling and pulling my arm and it doesn't matter how new the dress Mama bought is because my feet are ugly until my uncle who is a liar says, You are the prettiest girl here, will you dance, but I believe him, and yes, we are dancing, my Uncle Nacho and me, only I don't want to at first. My feet swell big and heavy like plungers, but I drag them across the linoleum floor straight center where Uncle wants to show off the new dance we learned. And Uncle spins me, and my skinny arms bend the way he taught me, and my mother watches, and my little cousins watch, and the boy who is my cousin by first communion watches, and everyone says, wow, who are those two who dance like in the movies, until I forget that I am wearing only ordinary shoes, brown and white, the kind my mother buys each year for school. And all I hear is the clapping when the music stops. My uncle and me bow and he walks me back in my thick shoes to my mother who is proud to be my mother. All night the boy who is a man watches me dance. He watched me dance.
Required
1
What is the main conflict the narrator experiences at the baptism party?
What is the main conflict the narrator experiences at the baptism party?
Required
1
What detail suggests the family's economic situation?
What detail suggests the family's economic situation?
Required
1
What is the significance of the repeated phrase "He watched me dance" at the end?
What is the significance of the repeated phrase "He watched me dance" at the end?
Required
2
Do you feel that some people put too much pressure on themselves to look perfect? Cite evidence from the news or your experience to illustrate your position.
Do you feel that some people put too much pressure on themselves to look perfect? Cite evidence from the news or your experience to illustrate your position.
Hips
I like coffee, I like tea. I like the boys and the boys like me. Yes, no, maybe so. Yes, no, maybe so . . .
One day you wake up and they are there. Ready and waiting like a new Buick with the keys in the ignition. Ready to take you where?
They're good for holding a baby when you're cooking, Rachel says, turning the jump rope a little quicker. She has no imagination.
You need them to dance, says Lucy.
If you don't get them you may turn into a man. Nenny says this and she believes it. She is this way because of her age.
That's right, I add before Lucy or Rachel can make fun of her. She is stupid alright, but she is my sister.
But most important, hips are scientific, I say repeating what Alicia already told me. It's the bones that let you know which skeleton was a man's when it was a man and which a woman's.
They bloom like roses, I continue because it's obvious I'm the only one who can speak with any authority; I have science on my side. The bones just one day open. Just like that. One day you might decide to have kids, and then where are you going to put them? Got to have room. Bones got to give.
But don't have too many or your behind will spread. That's how it is, says Rachel whose mama is as wide as a boat. And we just laugh.
What I'm saying is who here is ready? You gotta be able to know what to do with hips when you get them, I say making it up as I go. You gotta know how to walk with hips, practice you know—like if half of you wanted to go one way and the other half the other.
That's to lullaby it, Nenny says, that's to rock the baby asleep inside you. And then she begins singing seashells, copper hells, eevy, ivy, over.
I'm about to tell her that's the dumbest thing I've ever heard, but the more I think about it.. .
You gotta get the rhythm, and Lucy begins to dance. She has the idea, though she's having trouble keeping her end of the double-dutch steady.
It's gotta be just so, I say. Not too fast and not too slow. Not too fast and not too slow.
We slow the double circles down to a certain speed so Rachel who has just jumped in can practice shaking it.
I want to shake like hoochi-coochie, Lucy says. She is crazy.
I want to move like heebie-jeebie, I say picking up on the cue.
I want to be Tahiti. Or merengue. Or electricity.
Or tembleque!
Yes, tembleque. That's a good one.
And then it's Rachel who starts it:
Skip, skip, snake in your hips. Wiggle around and break your lip.
Lucy waits a minute before her turn. She is thinking. Then she begins: The waitress with the big fat hips
who pays the rent with taxi tips . . .
says nobody in town will kiss her on the lips
because . . .
because she looks like Christopher Columbus!
Yes, no, maybe so. Yes, no, maybe so.
She misses on maybe so. I take a little while before my turn, take a breath, and dive in: Some are skinny like chicken lips. Some are baggy like soggy Band-Aids after you get out of the bathtub. I don't care what kind I get. Just as long as I get hips.
Everybody getting into it now except Nenny who is still humming not a girl, not a boy, just a little baby. She's like that.
When the two arcs open wide like jaws Nenny jumps in across from me, the rope tick-ticking, the little gold earrings our mama gave her for her First Holy Communion bouncing. She is the color of a bar of naphtha laundry soap, she is like the little brown piece left at the end of the wash, the hard little bone, my sister. Her mouth opens. She begins:
My mother and your mother were washing clothes. My mother punched your mother right in the nose.
What color blood came out?
Not that old song, I say. You gotta use your own song. Make it up, you know? But she doesn't get it or won't. It's hard to say which. The rope turning, turning, turning.
Engine, engine number nine, running down Chicago line. If the train runs off the track do you want your money back? Do you want your MONEY back? Yes, no, maybe so. Yes, no, maybe so . . .
I can tell Lucy and Rachel are disgusted, but they don't say anything because she's my sister.
Yes, no, maybe so. Yes, no, maybe so . . .
Nenny, I say, but she doesn't hear me. She is too many light-years away. She is in a world we don't belong to anymore. Nenny. Going. Going.
Y-E-S spells yes and out you go!
Required
1
What is the narrator's attitude toward Nenny in the passage?
What is the narrator's attitude toward Nenny in the passage?
Required
1
What is the primary conflict revealed in the jump rope scene?
What is the primary conflict revealed in the jump rope scene?
Required
1
How do the other characters' perspectives on hips differ from the narrator's?
How do the other characters' perspectives on hips differ from the narrator's?
Required
2
How should people behave when they are around others who are younger or more innocent? Should they protect that innocence or destroy it? Why?
How should people behave when they are around others who are younger or more innocent? Should they protect that innocence or destroy it? Why?