Log inSign up for FREE
Library

Copy of The House on Mango Street 6 (6/23/2025)

Last updated 6 months ago
18 questions
Review Vin. 23-24
Born Bad
Most likely I will go to hell and most likely I deserve to be there. My mother says I was born on an evil day and prays for me. Lucy and Rachel pray too. For ourselves and for each other . . . because of what we did to Aunt Lupe.

Her name was Guadalupe and she was pretty like my mother. Dark. Good to look at. In her Joan Crawford dress and swimmer's legs. Aunt Lupe of the photographs.

But I knew her sick from the disease that would not go, her legs bunched under the yellow sheets, the bones gone limp as worms. The yellow pillow, the yellow smell, the bottles and spoons. Her head thrown back like a thirsty lady. My aunt, the swimmer.

Hard to imagine her legs once strong, the bones hard and parting water, clean sharp strokes, not bent and wrinkled like a baby, not drowning under the sticky yellow light. Second-floor rear apartment.

The naked light bulb. The high ceilings. The light bulb always burning.

I don't know who decides who deserves to go bad. There was no evil in her birth. No wicked curse.

One day I believe she was swimming, and the next day she was sick. It might have been the day that gray photograph was taken. It might have been the day she was holding cousin Totchy and baby Frank. It might have been the moment she pointed to the camera for the kids to look and they wouldn't.

Maybe the sky didn't look the day she fell down. Maybe God was busy. It could be true she didn't dive right one day and hurt her spine. Or maybe the story that she fell very hard from a high step stool, like Totchy said, is true.

But I think diseases have no eyes. They pick with a dizzy finger anyone, just anyone. Like my aunt who happened to be walking down the street one day in her Joan Crawford dress, in her funny felt hat with the black feather, cousin Totchy in one hand, baby Frank in the other.

Sometimes you get used to the sick and sometimes the sickness, if it is there too long, gets to seem normal. This is how it was with her, and maybe this is why we chose her.

It was a game, that's all. It was the game we played every afternoon ever since that day one of us invented it—I can't remember who—I think it was me.

You had to pick somebody. You had to think of someone everybody knew. Someone you could imitate and everyone else would have to guess who it was. It started out with famous people: Wonder Woman, the Beatles, Marilyn Monroe. . . . But then somebody thought it'd be better if we changed the game a little, if we pretended we were Mr. Benny, or his wife Blanca, or Ruthie, or anybody we knew.

I don't know why we picked her. Maybe we were bored that day. Maybe we got tired. We liked my aunt. She listened to our stories. She always asked us to come back. Lucy, me, Rachel. I hated to go there alone. The six blocks to the dark apartment, second-floor rear building where sunlight never came, and what did it matter? My aunt was blind by then. She never saw the dirty dishes in the sink. She couldn't see the ceilings dusty with flies, the ugly maroon walls, the bottles and sticky spoons. I can't forget the smell. Like sticky capsules filled with jelly. My aunt, a little oyster, a little piece of meat on an open shell for us to look at. Hello, hello. As if she had fallen into a well.

I took my library books to her house. I read her stories. I liked the book The Waterbabies. She liked it too. I never knew how sick she was until that day I tried to show her one of the pictures in the book, a beautiful color picture of the water babies swimming in the sea. I held the book up to her face.

I can't see it, she said, I'm blind. And then I was ashamed.

She listened to every book, every poem I read her. One day I read her one of my own. I came very close. I whispered it into the pillow:

I want to be like the waves on the sea, like the clouds in the wind, but I'm me. One day I'll jump out of my skin. I'll shake the sky like a hundred violins.

That's nice. That's very good, she said in her tired voice. You just remember to keep writing, Esperanza. You must keep writing. It will keep you free, and I said yes, but at that time I didn't know what she meant.

The day we played the game, we didn't know she was going to die. We pretended with our heads thrown back, our arms limp and useless, dangling like the dead. We laughed the way she did. We talked the way she talked, the way blind people talk without moving their head. We imitated the way you had to lift her head a little so she could drink water, she sucked it up slow out of a green tin cup. The water was warm and tasted like metal. Lucy laughed. Rachel too. We took turns being her. We screamed in the weak voice of a parrot for Totchy to come and wash those dishes. It was easy.

We didn't know. She had been dying such a long time, we forgot. Maybe she was ashamed. Maybe she was embarrassed it took so many years. The kids who wanted to be kids instead of washing dishes and ironing their papa's shirts, and the husband who wanted a wife again.

And then she died, my aunt who listened to my poems.

And then we began to dream the dreams.
1

According to Esperanza, who is “born bad”? Why?

1

What advice does Aunt Lupe give Esperanza? What do you think it means?

Elenita, Cards, Palm, Water
Elenita, witch woman, wipes the table with a rag because Ernie who is feeding the baby spilled Kool-Aid. She says: Take that crazy baby out of here and drink your Kool-Aid in the living room. Can't you see I'm busy? Ernie takes the baby into the living room where Bugs Bunny is on TV.

Good lucky you didn't come yesterday, she says. The planets were all mixed up yesterday.

Her TV is color and big and all her pretty furniture made out of red fur like the teddy bears they give away in carnivals. She has them covered with plastic. I think this is on account of the baby.

Yes, it's a good thing, I say.

But we stay in the kitchen because this is where she works. The top of the refrigerator busy with holy candles, some lit, some not, red and green and blue, a plaster saint and a dusty Palm Sunday cross, and a picture of the voodoo hand taped to the wall.

Get the water, she says.

I go to the sink and pick the only clean glass there, a beer mug that says the beer that made Milwaukee famous, and fill it up with hot water from the tap, then put the glass of water on the center of the table, the way she taught me.

Look in it, do you see anything?

But all I see are bubbles.

You see anybody's face?

Nope, just bubbles, I say.

That's okay, and she makes the sign of the cross over the water three times and then begins to cut the cards.

They're not like ordinary playing cards, these cards. They're strange, with blond men on horses and crazy baseball bats with thorns. Golden goblets, sad-looking women dressed in old-fashioned dresses, and roses that cry.

There is a good Bugs Bunny cartoon on TV. I know, I saw it before and recognize the music and wish I could go sit on the plastic couch with Ernie and the baby, but now my fortune begins. My whole life on that kitchen table: past, present, future. Then she takes my hand and looks into my palm. Closes it. Closes her eyes too.

Do you feel it, feel the cold?

Yes, I lie, but only a little.

Good, she says, los espíritus are here. And begins.

This card, the one with the dark man on a dark horse, this means jealousy, and this one, sorrow.

Here a pillar of bees and this a mattress of luxury. You will go to a wedding soon and did you lose an anchor of arms, yes, an anchor of arms? It's clear that's what that means.

What about a house, I say, because that's what I came for.

Ah, yes, a home in the heart. I see a home in the heart.

Is that it?

That's what I see, she says, then gets up because the kids are fighting. Elenita gets up to hit and then hug them. She really does love them, only sometimes they are rude.

She comes back and can tell I'm disappointed. She's a witch woman and knows many things. If you got a headache, rub a cold egg across your face. Need to forget an old romance? Take a chicken's foot, tie it with red string, spin it over your head three times, then burn it. Bad spirits keeping you awake?

Sleep next to a holy candle for seven days, then on the eighth day, spit. And lots of other stuff. Only now she can tell I'm sad.

Baby, I'll look again if you want me to. And she looks again into the cards, palm, water, and says uh-huh.

A home in the heart, I was right.

Only I don't get it.

A new house, a house made of heart. I'll light a candle
for you.

All this for five dollars I give her.

Thank you and goodbye and be careful of the evil eye. Come back again on a Thursday when the stars are stronger. And may the Virgin bless you. And shuts the door.
1

What is Esperanza hoping to do when she visits Elenita?

1

What does Elenita suggest for Esperanza’s future? Is Esperanza satisfied? Why?

Vignette 25-26
Geraldo No Last Name
She met him at a dance. Pretty too, and young. Said he worked in a restaurant, but she can't remember which one. Geraldo. That's all. Green pants and Saturday shirt. Geraldo. That's what he told her.

And how was she to know she'd be the last one to see him alive. An accident, don't you know.

Hit-and-run. Marin, she goes to all those dances. Uptown. Logan. Embassy. Palmer. Aragon. Fontana. The Manor. She likes to dance. She knows how to do cumbias and salsas and rancheras even. And he was just someone she danced with. Somebody she met that night. That's right.

That's the story. That's what she said again and again. Once to the hospital people and twice to the police. No address. No name. Nothing in his pockets. Ain't it a shame.

Only Marin can't explain why it mattered, the hours and hours, for somebody she didn't even know.

The hospital emergency room. Nobody but an intern working all alone. And maybe if the surgeon would've come, maybe if he hadn't lost so much blood, if the surgeon had only come, they would know who to notify and where.

But what difference does it make? He wasn't anything to her. He wasn't her boyfriend or anything like that. Just another brazer who didn't speak English. Just another wetback. You know the kind. The ones who always look ashamed. And what was she doing out at three a.m. anyway? Marin who was sent home with her coat and some aspirin. How does she explain?

She met him at a dance. Geraldo in his shiny shirt and green pants. Geraldo going to a dance.

What does it matter?

They never saw the kitchenettes. They never knew about the two-room flats and sleeping rooms he rented, the weekly money orders sent home, the currency exchange. How could they?

His name was Geraldo. And his home is in another country. The ones he left behind are far away, will wonder, shrug, remember. Geraldo—he went north ... we never heard from him again.
1

Where do Marin and Geraldo meet? Who is he to Marin?

1

Why does no one seem to know Geraldo’s last name?

1

Describe a time when you wanted to get help for yourself or someone else, but you felt powerless because of forces greater than yourself.

Edna's Ruthie
Ruthie, tall skinny lady with red lipstick and blue babushka, one blue sock and one green because she forgot, is the only grown-up we know who likes to play. She takes her dog Bobo for a walk and laughs all by herself, that Ruthie. She doesn't need anybody to laugh with, she just laughs.

She is Edna's daughter, the lady who owns the big building next door, three apartments front and back. Every week Edna is screaming at somebody, and every week somebody has to move away. Once she threw out a pregnant lady just because she owned a duck . . . and it was a nice duck too. But Ruthie lives here and Edna can't throw her out because Ruthie is her daughter.

Ruthie came one day, it seemed, out of nowhere. Angel Vargas was trying to teach us how to whistle. Then we heard someone whistling—beautiful like the Emperor's nightingale—and when we turned around there was Ruthie.

Sometimes we go shopping and take her with us, but she never comes inside the stores and if she does she keeps looking around her like a wild animal in a house for the first time.

She likes candy. When we go to Mr. Benny's grocery she gives us money to buy her some. She says make sure it's the soft kind because her teeth hurt. Then she promises to see the dentist next week, but when next week comes, she doesn't go.

Ruthie sees lovely things everywhere. I might be telling her a joke and she'll stop and say: The moon is beautiful like a balloon. Or somebody might be singing and she'll point to a few clouds: Look, Marlon Brando. Or a sphinx winking. Or my left shoe.

Once some friends of Edna's came to visit and asked Ruthie if she wanted to go with them to play bingo. The car motor was running, and Ruthie stood on the steps wondering whether to go. Should I go, Ma?

she asked the gray shadow behind the second-floor screen. I don't care, says the screen, go if you want.

Ruthie looked at the ground. What do you think, Ma? Do what you want, how should I know? Ruthie looked at the ground some more. The car with the motor running waited fifteen minutes and then they left. When we brought out the deck of cards that night, we let Ruthie deal.

There were many things Ruthie could have been if she wanted to. Not only is she a good whistler, but she can sing and dance too. She had lots of job offers when she was young, but she never took them.

She got married instead and moved away to a pretty house outside the city. Only thing I can't understand is why Ruthie is living on Mango Street if she doesn't have to, why is she sleeping on a couch in her mother's living room when she has a real house all her own, but she says she's just visiting and next weekend her husband's going to take her home. But the weekends come and go and Ruthie stays. No matter.

We are glad because she is our friend.

I like showing Ruthie the books I take out of the library. Books are wonderful, Ruthie says, and then she runs her hand over them as if she could read them in braille. They're wonderful, wonderful, but I can't read anymore. I get headaches. I need to go to the eye doctor next week. I used to write children's books once, did I tell you?

One day I memorized all of "The Walrus and the Carpenter" because I wanted Ruthie to hear me.

"The sun was shining on the sea, shining with all his might..." Ruthie looked at the sky and her eyes got watery at times. Finally I came to the last lines: "But answer came there none—and this was scarcely odd, because they'd eaten every one ..." She took a long time looking at me before she opened her mouth, and then she said, You have the most beautiful teeth I have ever seen, and went inside.
1

Who are Edna and Ruthie?

1

What does Esperanza not realize about Ruthie?

1

Esperanza dreams of her future, but Ruthie lives in the present and enjoys each moment. In your opinion, which is a better way to live? Explain your answer.

Homework: Vin. 27-28
The Earl of Tennessee
Earl lives next door in Edna's basement, behind the flower boxes Edna paints green each year, behind the dusty geraniums. We used to sit on the flower boxes until the day Tito saw a cockroach with a spot of green paint on its head. Now we sit on the steps that swing around the basement apartment where Earl lives.

Earl works nights. His blinds are always closed during the day. Sometimes he comes out and tells us to keep quiet. The little wooden door that has wedged shut the dark for so long opens with a sigh and lets out a breath of mold and dampness, like books that have been left out in the rain. This is the only time we see Earl except for when he comes and goes to work. He has two little black dogs that go everywhere with him. They don't walk like ordinary dogs, but leap and somersault like an apostrophe and comma.

At night Nenny and I can hear when Earl comes home from work. First the click and whine of the car door opening, then the scrape of concrete, the excited tinkling of dog tags, followed by the heavy jingling of keys, and finally the moan of the wooden door as it opens and lets loose its sigh of dampness.

Earl is a jukebox repairman. He learned his trade in the South, he says. He speaks with a Southern accent, smokes fat cigars and wears a felt hat—winter or summer, hot or cold, don't matter—a felt hat. In his apartment are boxes and boxes of 45 records, moldy and damp like the smell that comes out of his apartment whenever he opens the door. He gives the records away to us—all except the country and western.

The word is that Earl is married and has a wife somewhere. Edna says she saw her once when Earl brought her to the apartment. Mama says she is a skinny thing, blond and pale like salamanders that have never seen the sun. But I saw her once too and she's not that way at all. And the boys across the street say she is a tall red-headed lady who wears tight pink pants and green glasses. We never agree on what she looks like, but we do know this. Whenever she arrives, he holds her tight by the crook of the arm.

They walk fast into the apartment, lock the door behind them and never stay long.
Required
1

What is Earl's occupation?

Required
1

Which detail best describes Earl's appearance and habits?

Required
1

What detail about Earl's wife is consistent throughout all accounts in the story?

Required
2

What is a daily ritual you have that has a series of sounds? Use paragraph 3 of this vignette as a mentor text to write your own sound paragraph.

Sire
I don't remember when I first noticed him looking at me—Sire. But I knew he was looking. Every time. All the time I walked past his house. Him and his friends sitting on their bikes in front of the house, pitching pennies. They didn't scare me. They did, but I wouldn't let them know. I don't cross the street like other girls. Straight ahead, straight eyes. I walked past. I knew he was looking. I had to prove to me I wasn't scared of nobody's eyes, not even his. I had to look back hard, just once, like he was glass. And I did. I did once. But I looked too long when he rode his bike past me. I looked because I wanted to be brave, straight into the dusty cat fur of his eyes and the bike stopped and he bumped into a parked car, bumped, and I walked fast. It made your blood freeze to have somebody look at you like that.

Somebody looked at me. Somebody looked. But his kind, his ways. He is a punk, Papa says, and Mama says not to talk to him.

And then his girlfriend came. Lois I heard him call her. She is tiny and pretty and smells like baby's skin. I see her sometimes running to the store for him. And once when she was standing next to me at Mr. Benny's grocery she was barefoot, and I saw her barefoot baby toenails all painted pale pale pink, like little pink seashells, and she smells pink like babies do. She's got big girl hands, and her bones are long like ladies' bones, and she wears makeup too. But she doesn't know how to tie her shoes. I do.

Sometimes I hear them laughing late, beer cans and cats and the trees talking to themselves: wait, wait, wait. Sire lets Lois ride his bike around the block, or they take walks together. I watch them. She holds his hand, and he stops sometimes to tie her shoes. But Mama says those kinds of girls, those girls are the ones that go into alleys. Lois who can't tie her shoes. Where does he take her?

Everything is holding its breath inside me. Everything is waiting to explode like Christmas. I want to be all new and shiny. I want to sit out bad at night, a boy around my neck and the wind under my skirt. Not this way, every evening talking to the trees, leaning out my window, imagining what I can't see.

A boy held me once so hard, I swear, I felt the grip and weight of his arms, but it was a dream.

Sire. How did you hold her? Was it? Like this? And when you kissed her? Like this?
Required
1

What is the narrator's primary internal conflict throughout the passage?

Required
1

What is the significance of the narrator's observation about Lois's shoelaces?

Required
1

How do the narrator's parents view Sire?

Required
2

What does the metaphor "Everything is holding its breath inside me" suggest about the narrator?