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Copy of English - Practice ACT (25-26) (9/17/2025)

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Last updated 3 months ago
50 questions
Note from the author:
Passage 1
Passage 2
Passage 3
Passage 4
Passage 5
Passage 6
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CSE
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POW
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Question 1
1.

Question 2
2.

Question 3
3.

Question 4
4.

Question 5
5.

Question 6
6.

Question 7
7.

Question 8
8.

Question 9
9.

Question 10
10.

Question 11
11.

Question 12
12.

Question 13
13.

Question 14
14.

Question 15
15.

Question 16
16.

Question 17
17.

Question 18
18.

Question 19
19.

Question 20
20.

Question 21
21.

Question 22
22.

Question 23
23.

Question 24
24.

Question 25
25.

Question 26
26.

Question 27
27.

Question 28
28.

Question 29
29.

Question 30
30.

Question 31
31.

Question 32
32.

Question 33
33.

Question 34
34.

Question 35
35.

Question 36
36.

Question 37
37.

Question 38
38.

Question 39
39.

Question 40
40.

Question 41
41.

Question 42
42.

Question 43
43.

Question 44
44.

Question 45
45.

Question 46
46.

Question 47
47.

Question 48
48.

Question 49
49.

Question 50
50.

ingredients—such as manioc root
ingredients such as—manioc root
mystified
shocked
In fact, Atala’s culinary training took place in classic European restaurants.
Atala is known for sometimes incorporating fragrances into his dishes as well.
tree dies once their
trees die once its
pull through and spawn
continue to churn out
knowledge that tribe members know about local plants,
knowledge of local plants in the area,
centuries, which use
centuries who use
has enabled
are enabling
transforming
dislocating
author, and dramatist
author and dramatist,
Gandersheim and, historically, this abbey was
Gandersheim, it was an abbey
allowed her to retain
permitted her to hang on to
As a result,
On the other hand,
(focusing on the court of Otto I as well as
(each focused on the court of Otto I and
highway onto a stretch of Route 66, that is,
highway onto a stretch, of Route 66 that is
behind me by looking into the rearview mirror,
into the rearview mirror, three miles into our detour,
information that indicates how prevalent rumble strips are on roadways.
a detail that reveals the narrator’s opinion of distracted drivers.
information that clarifies a primary function of rumble strips.
were implemented just outside Albuquerque.
that play music were put in.
lots of other drivers, not just me, still make this detour to hear the tune.
sometimes drivers will turn around and drive over the strips again.
disappear
have disappeared
they have
whom have
Now and then,
For now,
Yes, because it indicates that the musical road in New Mexico is not unique.
Yes, because it makes clear that the narrator has plans to travel on other musical roads.
No, because it draws the focus away from the New Mexico musical road and its effect on the narrator.
Point C in Paragraph 3.
Point A in Paragraph 1.
Point B in Paragraph 2.
clarification of what public museum stewardship entails.
suggestion that not all public museums provide proper stewardship for their artifacts.
list of reasons for educating the public on stewardship.
While displaying
With the display of
storage makes providing
storage, which provides
When
Although
Point B in Paragraph 2.
Point C in Paragraph 2.
Point A in Paragraph 1.
specific information that underscores the enormousness of the weavers’ nests.
details that clarify how the weavers are able to survive in the Kalahari Desert.
specific information that illustrates the minimum height at which the weavers begin building their nests.
carelessly plunked-down haystacks.
collections of disparate items.
squeezing
then squeezes
all together, staying warm when the temperature drops and gets colder at night.
and stay warm when temperatures plummet at night and it’s cold.
when its at it’s
at it’s
centuries-old
centuries’-old
Deleted, because it detracts from the paragraph’s focus on the various styles of ancient Hmong needlework arts.
Kept, because it places the subject of the essay in a modern context.
Kept, because it compares Pang Xiong’s embroidery style with that of modern paj ntaub.
after the word clothing.
after the word made.
where it is now.
paj ntaub patterns are extraordinarily colorful.
only a master artist is able to create paj ntaub clothing for special occasions.
appliqué and
appliqué which
the surface of it.
the surface of the fabric.
Yes, because the revision emphasizes Pang Xiong’s desire for her handcrafted paj ntaub to be sold on a large scale in stores.
Yes, because the revision creates a clearer contrast between the homogeneous styles of clothing that are popular today and the handcrafted paj ntaub.
No, because the original word reinforces the idea that although paj ntaub clothing can be used for everyday wear, it should be saved for special occasions.
Besides, she
For example, she
She often teaches paj ntaub to Hmong adults her age who want to learn new techniques.
Recently, she worked with nine young Hmong women in a formal apprenticeship.
She loves when people, no matter what their ethnicity, wear traditional clothing every day.