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2025-2026 Midterm

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46 questions
SECTION I – MULTIPLE-CHOICE QUESTIONS (45 Questions – 1.25 points each=56.25)
Directions: This section consists of selections from prose works and questions on their content, style, and form. Read each selection carefully. Choose the best answer of the five choices.
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Questions 1-11. Read the following passage carefully before you begin to answer the questions.
First Passage – Questions 1–11. Read the following passage carefully before you choose your answers. This passage is excerpted from an essay written in nineteenth-century England.

It has been well said that the highest aim in
education is analogous to the highest aim in
mathematics, namely, to obtain not results but
powers, not particular solutions, but the means by
which endless solutions may be wrought. He is the
5 most effective educator who aims less at perfecting
specific acquirements than at producing that mental
condition which renders acquirements easy, and leads
to their useful application; who does not seek to make
10 his pupils moral by enjoining particular courses of
action, but by bringing into activity the feelings and
sympathies that must issue in noble action. On the
same ground it may be said that the most effective
writer is not he who announces a particular discovery,
15 who convinces men of a particular conclusion, who
demonstrates that this measure is right and that
measure wrong; but he who rouses in others the
activities that must issue in discovery, who awakes
men from their indifference to the right and the
20 wrong, who nerves their energies to seek for the truth
and live up to it at whatever cost. The influence of
such a writer is dynamic. He does not teach men how
to use sword and musket, but he inspires their souls
with courage and sends a strong will into their
25 muscles. He does not, perhaps, enrich your stock of
data, but he clears away the film from your eyes that
you may search for data to some purpose. He does
not, perhaps, convince you, but he strikes you,
undeceives you, animates you. You are not directly
30 fed by his books, but you are braced as by a walk up
to an alpine summit, and yet subdued to calm and
reverence as by the sublime things to be seen from
that summit.
Such a writer is Thomas Carlyle. It is an idle
35 question to ask whether his books will be read a
century hence: if they were all burnt as the grandest
of Suttees on his funeral pile, it would be only like
cutting down an oak after its acorns have sown a
forest. For there is hardly a superior or active mind
40 of this generation that has not been modified by
Carlyle’s writings; there has hardly been an English
book written for the last ten or twelve years that
would not have been different if Carlyle had not lived.
The character of his influence is best seen in the fact
45 that many of the men who have the least agreement
with his opinions are those to whom the reading of
Sartor Resartus was an epoch in the history of their
minds. The extent of his influence may be best seen in
the fact that ideas which were startling novelties when
50 he first wrote them are now become common-places.
And we think few men will be found to say that this
influence on the whole has not been for good. There
are plenty who question the justice of Carlyle’s
estimates of past men and pasttimes, plenty who
55 quarrel with the exaggerations of the Latter-Day
Pamphlets, and who are as far as possible from
looking for an amendment of things from a Carlylian
theocracy with the ‘greatest man’, as a Joshua who is
to smite the wicked (and the stupid) till the going
60 down of the sun. But for any large nature, those
points of difference are quite incidental. It is not as a
theorist, but as a great and beautiful human nature,
that Carlyle influences us. You may meet a man
whose wisdom seems unimpeachable, since you find
65 him entirely in agreement with yourself; but this
oracular man of unexceptionable opinions has a
green eye, a wiry hand, and altogether a Wesen, or
demeanour, that makes the world look blank to you,
and whose unexceptionable opinions become a bore;
70 while another man who deals in what you cannot but
think ‘dangerous paradoxes’, warms your heart by the
pressure of his hand, and looks out on the world with
so clear and loving an eye, that nature seems to reflect
the light of his glance upon your own feeling. So it is
75 with Carlyle. When he is saying the very opposite of
what we think, he says it so finely, with so hearty
conviction—he makes the object about which we
differ stand out in such grand relief under the clear
light of his strong and honest intellect—he appeals
80 so constantly to our sense of the manly and the
truthful—that we are obliged to say ‘Hear! hear!’ to
the writer before we can give the decorous ‘Oh! oh!’
to his opinions.
Question 1
1.

What is the relationship between the two paragraphs in the passage?

Question 2
2.

Which of the following best represents the author’s intended audience?

Question 3
3.

Lines 5–12 (“He is … noble action”) contrast

Question 4
4.

The author uses the phrase “On the same ground” (lines 12–13) to set up a comparison between

Question 5
5.

On the basis of the first paragraph, Thomas Carlyle is best characterized as a writer who is

Question 6
6.

The “acorns” (line 38) represent

Question 7
7.

In lines 47–48, the author refers to “an epoch in the history of their minds” to

Question 8
8.

The author mentions the Latter-Day Pamphlets (lines 55–56) primarily to

Question 9
9.

Which rhetorical strategy does the author adopt in lines 44–63 (“The character … influences us”)?

Question 10
10.

What purpose do lines 63–74 (“You may … own feeling”) serve?

Question 11
11.

In lines 75–83 (“When he … his opinions”), the author develops her rhetorical purpose by

Questions 12-24. Read the following passage carefully before you begin to answer the questions.
Second Passage – Questions 12–24. Read the following passage carefully before you choose your answers.

It is the fate of actors to leave only picture postcards
behind them. Every night when the curtain goes down
the beautiful coloured canvas is rubbed out. What
remains is at best only a wavering, insubstantial
5 phantom—a verbal life on the lips of the living.
Ellen Terry was well aware of it. She tried herself,
overcome by the greatness of Irving as Hamlet and
indignant at the caricatures of his detractors, to
describe what she remembered. It was in vain. She
10 dropped her pen in despair. “Oh God, that I were a
writer!” she cried. “Surely a writer could not string
words together about Henry Irving’s Hamlet and say
nothing, nothing.” It never struck her, humble as she
was, and obsessed by her lack of book learning, that
15 she was, among other things, a writer. It never occurred
to her when she wrote her autobiography, or scribbled
page after page to Bernard Shaw late at night, dead
tired after a rehearsal, that she was “writing.” The
words in her beautiful rapid hand bubbled off her pen.
20 With dashes and notes of exclamation she tried to give
them the very tone and stress of the spoken word. It is
true, she could not build a house with words, one room
opening out of another, and a staircase connecting the
whole. But whatever she took up became in her warm,
25 sensitive grasp a tool. If it was a rolling-pin, she made
perfect pastry. If it was a carving knife, perfect slices
fell from the leg of mutton. If it were a pen, words
peeled off, some broken, some suspended in mid-air,
but all far more expressive than the tappings of the
30 professional typewriter.
With her pen then at odds and ends of time she has
painted a self-portrait. It is not an Academy portrait,
glazed, framed, complete. It is rather a bundle of loose
leaves upon each of which she has dashed off a sketch
35 for a portrait—here a nose, here an arm, here a foot,
and there a mere scribble in the margin. The sketches
done in different moods, from different angles, some
times contradict each other... .
Which, then, of all these women is the real Ellen
40 Terry? How are we to put the scattered sketches
together? Is she mother, wife, cook, critic, actress,
or should she have been, after all, a painter? Each part
seems the right part until she throws it aside and plays
another. Something of Ellen Terry it seems overflowed
45 every part and remained unacted. Shakespeare could
not fit her; not Ibsen; nor Shaw. The stage could not
hold her; nor the nursery. But there is, after all, a
greater dramatist than Shakespeare, Ibsen, or Shaw.
There is Nature. Hers is so vast a stage, and so
50 innumerable a company of actors, that for the most
part she fobs them off with a tag or two. They come
on and they go off without breaking the ranks. But
now and again Nature creates a new part, an original
part. The actors who act that part always defy our
55 attempts to name them. They will not act the stock
parts—they forget the words, they improvise others
of their own. But when they come on the stage falls
like a pack of cards and the limelights are extinguished.
That was Ellen Terry’s fate—to act a new part. And
60 thus while other actors are remembered because they
were Hamlet, Phèdre, or Cleopatra, Ellen Terry is
​ remembered because she was Ellen Terry.
Question 12
12.

Which of the following statements is best supported by information given in the passage?
(A) Terry never focused on one career; she was skilled at so many things that she did not excel in any one thing.
(B) Terry was so clever an actress that her portrayal of a role seemed to change every night.
(C) Shaw encouraged Terry to become a playwright by carefully tutoring her in creating plots and characters.
(D) Because Terry lacked confidence in certain of her skills, she never fully realized she was a person of rare talents and gifts.
(E) Because Terry did not have natural talent for either writing or acting, she struggled to learn her crafts and became great through sheer willpower.

Question 13
13.

The author’s attitude toward Terry can best be described as
(A) superior and condescending.
(B) unbiased and dispassionate.
(C) sympathetic and admiring.
(D) curious and skeptical.
(E) conciliatory and forgiving.

Question 14
14.

In line 1, “picture postcards” functions as a metaphor for the
(A) published text of a play.
(B) audience’s impressions of the actors’ performances.
(C) critical reviews of plays.
(D) plays in which the actors in the company have previously performed.
(E) stage designer’s sketches of sets and scenes.

Question 15
15.

The passage implies that the primary enemy of the “beautiful coloured canvas” and the “wavering, insubstantial phantom” (lines 3 and 4–5) is the
(A) cost of producing plays.
(B) whims of critics.
(C) passage of time.
(D) incredulity of audiences.
(E) shortcomings of dramatists.

Question 16
16.

The phrase “a verbal life on the lips of the living” (line 5) suggests that
(A) performances live only in the memories of those who witness and speak of them.
(B) actors do not take the trouble to explain their art to the public.
(C) the reviews of critics have a powerful influence on the popularity of a production.
(D) dramatists try to write dialogue that imitates ordinary spoken language.
(E) audiences respond to the realism of the theater.

Question 17
17.

What is the relationship of the second and third sentences (lines 2–5) to the first sentence (lines 1–2)?
(A) They are structurally less complex than the first.
(B) They are expressed in less conditional terms than the first.
(C) They introduce new ideas not mentioned in the first.
(D) They clarify and expand on the first.
(E) They question the generalization made in the first.

Question 18
18.

The pronoun “it” (line 6) refers to which of the following?
(A) “fate” (line 1).
(B) “curtain” (line 2).
(C) “canvas” (line 3).
(D) “phantom” (line 5).
(E) “life” (line 5).

Question 19
19.

The effect of italicizing the words “nothing, nothing” (line 13) is to
(A) emphasize Terry’s sense of frustration.
(B) indicate a sarcastic tone.
(C) suggest the difficulty of writing great parts for actors.
(D) link a clear sense of purpose to success in writing.
(E) imply that Terry’s weakness in writing is her tendency to exaggerate.

Question 20
20.

The words “bubbled off ” (line 19) and “peeled off ” (line 28), used to describe the way Terry wrote, emphasize
(A) polish and sophistication.
(B) thoughtfulness and application.
(C) bluntness and indiscretion.
(D) mystery and imagination.
(E) ease and spontaneity.

Question 21
21.

Which of the following stylistic features is used most extensively in lines 25-30 ?
(A) Inversion of normal subject/verb/object order.
(B) Repetition of sentence structure.
(C) Periodic sentence structure.
(D) Sentence fragments for emphasis.
(E) Use of connotative meanings that add complexity.

Question 22
22.

The effect of mentioning an “Academy portrait” (line 32) is to
(A) imply that Terry deserved to have her portrait painted by a great artist.
(B) suggest that Terry was adept at self-expression both in writing and in painting.
(C) clarify the informal nature of Terry’s self-portrait through contrast.
(D) hint that Terry’s self-absorption prevented her from writing about herself dispassionately.
(E) blame Terry for her rebellion against the conventions of art form.

Question 23
23.

The “sketches” (line 36) are most probably
(A) responses to reviewers who have criticized Terry’s acting.
(B) paintings by Terry of other actors.
(C) stage directions from playwrights.
(D) self-revelatory remarks.
(E) descriptions of characters Terry has portrayed.

Question 24
24.

The author suggests that Shakespeare, Shaw, and Ibsen could not “fit” (line 46) Terry chiefly because
(A) the parts they created did not allow Terry to make use of every aspect of her talents.
(B) their dramatic talents were focused on plot rather than on character.
(C) Terry was better at conveying certain kinds of characters and emotions than she was at
conveying others.
(D) their plays were set in historical periods different from the one in which Terry lived.
(E) the speeches they wrote for their female characters were written in accents and dialects different
from Terry’s.

Questions 25-37. Read the following passage carefully before you begin to answer the questions.
Third Passage Questions 25–37. Read the following passage carefully before you choose your answers. This passage is taken from a book that examines Canadian book clubs.

So pronounced is the book-club phenomenon
that the format has spread to other venues and media,
the most famous of these being the ‘book club’
component of Oprah Winfrey’s television talk show.
5 Staged like an actual book-group meeting, with
invited discussants and a cozy living-room setting,
the Winfrey show can boost a featured title to instant
bestsellerdom and turn authors into stars. There
are now ‘book clubs’ online, in bookstores, and
10 functioning as consumer focus groups for publishers1.
Colleges, bookstores, and resorts have recently
begun to develop ‘readers’ retreats.’2 Newsletters,
magazines, newspapers, and published guides advise
readers how to find, establish, and manage successful
15 clubs.3
The widespread popularity of these reading groups
has even occasioned a form of ‘book-club backlash.’
In a newspaper opinion piece titled ‘Why I Won’t
Join the Book Club,’ one contributor expressed alarm
20 that reading was becoming another scheduled activity
to be slotted in ‘like the trip to the gym and the
grocery store’; self-improving readers ‘pop’ books as
they would vitamin tablets. But books ‘are not about
schedules,’ author Stephanie Nolen argues; rather,
25 they are ‘about submerging yourself … about getting
lost, about getting consumed.’4 Considerable attention
was garnered by another article, detailing the darker
side of some New York City reading groups.
Headlined ‘Book-Club Lovers Wage a War of Words’
30 when reprinted by the Globe and Mail, it could
equally well have been titled ‘When Book Clubs Go
Bad’: ‘No longer just friendly social gatherings with
a vague continuing-education agenda, many of
today’s book groups have become literary pressure
35 cookers, marked by aggressive intellectual one-
upmanship and unabashed social skirmishing. In
living rooms and bookshops, clubs are frazzling under
the stress, giving rise to a whole new profession: the
book-group therapist.’5 The clubs that Elaine Daspin
40 describes here seem to be functioning as
unconsciousness- rather than consciousness-raising
sessions, where competitive readers battle for
interpretive supremacy. While book-club therapists
may well be confined to the rarefied worlds of the
45 Upper East Side or Long Island, authors of recent
book-club guides reiterate the need to establish
common purposes, regular routines, and guidelines
for thorough preparation.
Clearly, the positives outweigh the pitfalls; book
50 clubs are in demand because they offer individual
readers an extra dimension of appreciation and
understanding. Yet despite the fact that shared
discussion of literary texts is also the foundation
of literary study in school, college, and university
55 classrooms, literary theorists and reader-response
critics have yet to devote much attention to such
shared and synergistic study, instead construing
readers as isolates or abstractions. (Studies tend
to focus on the emotional responses or cognitive
60 activities of individual readers, or to infer such
reactions by examining the properties of a literary
text.) But club and classroom participants know that
there is something different, something added, about
sharing and discussing literature with other people.

1 For an example of an online ‘book club’—this one produced by a mass-market circulation women’s magazine—see Conversations (Book Club) on Chateleine Connects at http://www.chatelaine.com/living/chatelaine-book-club/.
2 For example, Vancouver bookseller Celia Duthie is developing such ‘retreats’ at a country inn. There are discussion periods and visits by authors and, most importantly, time to read. See Keyes, ‘Out of the Woods.’
3 Some popular guides are Greenwood et al., The Go on Girl!; Jacobson, The Reading Group Handbook; and Saal, The New York Public Library Guide to Reading Groups. A new entry to the field, developed with a particular eye to the needs of Canadian clubs, is Heft and O’Brien, Build a Better Book Club.
4 Nolen, ‘Why I Won’t Join the Book Club.’
5 Daspin, ‘Book-Club Lovers Wage a War of Words.’ The piece originally appeared in the Wall Street Journal.
Question 25
25.

The organization of the passage can best be described as
(A) personal narrative followed by analysis.
(B) empirical data followed by conjecture.
(C) nonjudgmental explanation of a current phenomenon followed by a question.
(D) descriptive analysis followed by a final judgment.
(E) condemnation of a practice followed by partial acceptance.

Question 26
26.

In context, the author places the term “book club” in quotation marks in lines 3 and 9 in order to
(A) show that these are humorous examples.
(B) highlight how formal some of these clubs are.
(C) reveal that the book clubs that appear online or on television are unsatisfactory.
(D) suggest that the term is being broadened beyond its original meaning.
(E) imply that many book club members do not like the term.

Question 27
27.

The first paragraph (lines 1–15) serves to
(A) explain why the author enjoys one way of reading.
(B) describe the extension of a particular activity into nontraditional areas.
(C) make generalizations that will be developed later.
(D) explore ways in which people can structure free time.
(E) detail the power of media and mass marketing to censor.

Question 28
28.

According to lines 23–26, Stephanie Nolen’s primary criticism of book clubs is that they
(A) are too programmed.
(B) do not offer enough variety.
(C) cause readers to be anxious.
(D) overlook many classics.
(E) forego quality for quantity.

Question 29
29.

The clubs referred to in line 39 are discussed in
(A) the online discussion group of a particular book club.
(B) a study sponsored by book club participants.
(C) an editorial in a Canadian magazine.
(D) a guide written by Elaine Daspin.
(E) an article published in the Wall Street Journal.

Question 30
30.

The “recent book-club guides” (lines 45–46) tend to emphasize
(A) how book clubs need to be structured and regular in order to succeed.
(B) how difficult it is to start a book club in New York.
(C) how often even the best book clubs fail.
(D) the variety of reasons that people have for starting book clubs.
(E) the challenges of selecting books for discussion

Question 31
31.

The last paragraph (lines 49–64) marks a shift from
(A) popular to academic contexts.
(B) supported to unsound generalizations.
(C) impersonal to personal examples.
(D) subtle irony to explicit sarcasm.
(E) neutral to negative characterization of book clubs.

Question 32
32.

The function of lines 52–58 (“Yet despite … abstractions”) is to
(A) argue for the value of a particular literary theory.
(B) explain how important it is not to make abstract judgments.
(C) point out a discrepancy between teaching practices and literary theory.
(D) highlight the demand for a way to measure emotional responses to texts.
(E) explore the author’s views about reading in isolation.

Question 33
33.

The final sentence (lines 62–64) serves to
(A) conclude an argument begun in the first paragraph.
(B) suggest a probable cause for an ongoing phenomenon.
(C) argue that publishers need to pay more attention to book clubs.
(D) offer a final analysis of the phenomenon described in the second paragraph.
(E) explain why the author has chosen a particular field of study.

Question 34
34.

One function of sentence 3 (lines 8–10) and footnote 1 is to
(A) give an example of a group that earns money by reading.
(B) show that book clubs are not intended for literary scholars
(C) note the connection between marketing and book clubs.
(D) cite one book club as a particular model of excellence.
(E) suggest the benefits of online discussion groups.

Question 35
35.

It can be inferred from footnote 2 that “‘Out of the Woods’” is
(A) an article about a type of retreat.
(B) an exposé about fee-based book clubs.
(C) an essay about book club protocol.
(D) a meditation on favorite works by famous authors.
(E) an article about how to start a traditional book club

Question 36
36.

The function of footnote 3 is to
(A) offer specific examples of one of the types of resources mentioned.
(B) convince the reader of the value of book clubs.
(C) test whether the reader is interested in particular books.
(D) evaluate tips on how to set up book clubs.
(E) compare the strengths and weaknesses of certain books.

Question 37
37.

The information in footnote 2 is different from that in footnote 3 in that footnote 2
(A) is critical while endnote 3 is neutral.
(B) assumes that readers do not like research while endnote 3 assumes that readers like research.
(C) is concerned with local book clubs while endnote 3 relates to global issues.
(D) primarily provides an illustration of a phenomenon while endnote 3 primarily lists resources.
(E) relates mostly to marketing while endnote 3 relates mostly to cultural conflicts in book clubs.

Questions 38-45. Read the following passage carefully before you begin to answer the questions
Fourth Passage - Questions 38–45. Read the following passage carefully before you choose your answers.

1) Most people believe that the important decisions they make—from what car they buy to whom they vote for—are rational ones based on facts and analysis. (2) However, because of the phenomenon known as confirmation bias, logical decision making is rarely so simple. (3) Confirmation bias, which describes the human tendency to interpret new information in a way that supports our preexisting beliefs, makes people tend to accept information that confirms what they already believe and reject information that undermines those beliefs.

(4) Research has repeatedly demonstrated just how prevalent this phenomenon is in the world. (5) Confirmation bias has been found to affect the decisions of doctors, judges, and jurors. (6) It has even been shown to affect memory. (7) In a classic experiment, students who watched their schools compete in a football game subsequently remembered the adversary’s team performing worse than their own: confirmation bias caused the students, who already believed in their own school’s superiority, to interpret what they had seen as support for their preexisting beliefs. (8) Confirmation bias has also been shown to affect completely inconsequential decisions, as in experiments involving what direction dots are moving in or the average size of a number series. (9) Here, too, subjects’ interpretations were found to be affected by decisions they had already made about what they were being asked to evaluate.

(10) Confirmation bias does admittedly have its uses: it can, for example, increase the efficiency with which we process information and also protect us against information that might be damaging to our self-esteem. (11) But when the stakes are high, the risks of making biased decisions are simply too great. (12) An example of a high-stakes situation would be when jurors are deliberating a defendant’s fate. (13) Fortunately, there are techniques, like those used by Warren Buffett (born in Omaha, Nebraska, in 1930) when he makes his financial decisions, that can minimize the risks of confirmation bias. (14) The first is to be aware that our decisions may be affected by our tendency toward confirmation bias. (15) The second is to test our beliefs by seeking out points of view that differ from our own.
Question 38
38.

The writer is considering adding the following sentence to the passage after sentence 3.

Though the phenomenon has been observed throughout history by philosophers, historians, and novelists, the term “confirmation bias” itself wasn’t invented until the 1960s by British psychologist Peter Wason.

Should the writer add this sentence after sentence 3 ?

(A)Yes, because it provides contextualizing information that is necessary for the audience to understand the writer’s argument.
(B) Yes, because it contains an important insight into the exigence that prompted the writer to write the passage.
(C) Yes, because it offers an effective appeal to the audience’s sense of logic by detailing the long history of confirmation bias.
(D) No, because it fails to give enough details about Peter Wason’s credentials to establish his credibility with the audience.
(E) No, because it gives evidence that is not relevant to the passage’s overall line of reasoning and therefore does not strengthen the validity of the writer’s argument.

Question 39
39.

The writer is considering adding the sentence below immediately after sentence 1 in order to further develop the argument in the first paragraph.

When I decided where to go to college, for example, I thought I had considered every factor and made the best possible choice.

Should the writer add this sentence after sentence 1?

(A)Yes, because it describes a personal experience that helps illustrate the point made in sentence.
(B) Yes, because it makes the audience feel closer to the writer by revealing information about the writer’s past.
(C) Yes, because it demonstrates the writer’s authority by showing how the writer overcame confirmation bias.
(D)No, because it makes the writer seem biased because it uses personal experience as support for an argument.
(E) No, because it does not clarify when this experience occurred and therefore might be irrelevant.

Question 40
40.

In sentence 13 (reproduced below), the writer wants to include a piece of relevant evidence that will help convince the reader to accept the techniques used by Warren Buffet as credible.

Fortunately, there are techniques, like those used by Warren Buffett (born in Omaha, Nebraska, in1930) when he makes his financial decisions that can minimize the risks of confirmation bias.

Which of the following versions of the underlined portion of sentence 13 best accomplishes this goal?

(A) (as it is now)
(B) whose ability to tell a story is legendary
(C) one of the most successful investors in history
(D) a noted philanthropist
(E) whose father was a member of the United States Congress

Question 41
41.

In sentence 3 (reproduced below), the writer is considering deleting the underlined portion, adjusting the punctuation as necessary.

Confirmation bias, which describes the human tendency to interpret new information in a way that supports our preexisting beliefs, makes people tend to accept information that confirms what they already believe and reject information that undermines those beliefs.

Should the writer keep or delete the underlined text?

(A) Keep it, because it completes the writer’s comparison between the way people think they make decisions and the way they actually make decisions.
(B) Keep it, because it develops the writer’s ideas by providing a definition of confirmation bias, which is the central concept of the passage.
(C) Keep it, because it advances a narrative in the passage about how the writer came to understand the importance of confirmation bias.
(D) Delete it, because it fails to add vivid details about or examples of confirmation bias, making the writing less effective.
(E) Delete it, because it introduces a cause of bias in the way people accept or reject ideas whose effects are not elaborated on later in the passage.

Question 42
42.

Which of the following sentences in the passage can best be described as the writer’s thesis statement?
(A) Sentence 1.
(B) Sentence 5.
(C) Sentence 8.
(D) Sentence 11.
(E) Sentence 15.

Question 43
43.

In the context of the passage, which of the following versions of the underlined text is the most effective way to introduce the evidence provided in sentence 10 (reproduced below) ?

Confirmation bias does admittedly have its uses: it can, for example, increase the efficiency with which we process information and also protect us against information that might be damaging to our self- esteem.

(A) (As it is now)
(B) Based on these findings, it is difficult to overstate the dangers of confirmation bias:
(C) Confirmation bias can have other, more subtle, detrimental effects as well:
(D) The risk of confirmation bias is not limited to a few study results, however;
(E) Researchers continue to identify ways in which confirmation bias can impair people’s ability to make important decisions:

Question 44
44.

The writer is considering deleting the underlined independent clause in sentence 7 (reproduced below), adjusting the punctuation as necessary.

In a classic experiment, students who watched their schools compete in a football game subsequently remembered the adversary’s team performing worse than their own: confirmation bias caused the students, who already believed in their own school’s superiority, to interpret what they had seen as support for their preexisting beliefs.

Should the writer keep or delete the underlined text?

(A) Keep it, because it suggests that certain groups of people may be more susceptible than others to confirmation bias.
(B) Keep it, because it provides an example that explains how confirmation bias affects memory.
(C) Keep it, because it contains a personal story about confirmation bias that appeals to a wide audience.
(D) Delete it, because it interferes with the flow of the paragraph by introducing evidence that is not relevant.
(E) Delete it, because it contradicts the claim made earlier in the sentence.

Question 45
45.

The writer wants to combine sentences 11 and 12 (reproduced below) into a single sentence.

But when the stakes are high, the risks of making biased decisions are simply too great. An example of a high-stakes situation would be when jurors are deliberating a defendant’s fate.

Which of the following revisions to the underlined portion of sentences 11 and 12 most effectively accomplishes this goal?

(A) high, then the risks of making biased decisions—one example of which would be when jurors are deliberating a defendant’s fate—are simply too great
(B) high, one good example of which is a defendant having his or her fate being deliberated by jurors, the risks of making biased decisions are simply too great
(C) high (for example, when jurors are deliberating a defendant’s fate, the stakes would be high), the risks of making biased decisions are simply too great
(D) high, such as when jurors are deliberating a defendant’s fate, the risks of making biased decisions are simply too great
(E) high—like a defendant whose fate is being deliberated by jurors—the risks of making biased decisions are simply too great

Question 46
46.

SECTION II: ESSAY QUESTIONS (1 Question)
Question 1 (43.75 points)
Amid the tragedy of the assassination of Rev. Dr. Martin Luther King, April 4, 1968, an extraordinary moment in U.S. political history occurred as New York Senator Robert F. Kennedy, younger brother of slain President John F. Kennedy, broke the news of King’s death to a large gathering of African Americans in Indianapolis, Indiana. The gathering was actually a planned campaign rally for Robert Kennedy in his bid to get the 1968 Democratic nomination for President. Just after he arrived by plane at Indianapolis, Kennedy was told of King’s death. He arrived to find people in an upbeat mood, anticipating the excitement of a Kennedy appearance. He climbed onto the platform, and realizing they did not know, broke the news.
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Directions: Read the following speech carefully. Then, in a well-developed essay, analyze the methods that Kennedy uses to persuade his fellow Americans to dedicate themselves to Martin Luther King’s call to resist violence and to seek love and justice between fellow human beings.
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I have some very sad news for all of you, and I think sad news for all of our fellow citizens, and people who love peace all over the world, and that is that Martin Luther King was shot and was killed tonight in Memphis, Tennessee.
Martin Luther King dedicated his life to love and to justice between fellow human beings. He died in the cause of that effort. In this difficult day, in this difficult time for the United States, it’s perhaps well to ask what kind of a nation we are and what direction we want to move in.
For those of you who are black – considering the evidence that there were white people who were responsible – you can be filled with bitterness, and with hatred, and a desire for revenge.
We can move in that direction as a country, in greater polarization – black people amongst blacks, and white amongst whites, filled with hatred toward one another. Or we can make an effort, as Martin Luther King did, to understand and to comprehend, and replace that violence, that stain of bloodshed that has spread across our land, with an effort to understand, compassion and love.
For those of you who are black and are tempted to be filled with hatred and mistrust of the injustice of such an act, against all white people, I would only say that I can also feel in my own heart the same kind of feeling. I had a member of my family killed, but he was killed by a white man.
But we have to make an effort in the United States, we have to make an effort to understand, to get beyond these rather difficult times.
My favorite poet was Aeschylus. He once wrote: “Even in our sleep, pain which cannot forget falls drop by drop upon the heart, until, in our own despair, against our will, comes wisdom through the awful grace of God.”
What we need in the United States is not division; what we need in the United States is not hatred; what we need in the United States is not violence and lawlessness, but is love and wisdom, and compassion toward one another, and a feeling of justice toward those who still suffer within our country, whether they be white or whether they be black.
So I ask you tonight to return home, to say a prayer for the family of Martin Luther King, but more importantly to say a prayer for our own country, which all of us love – a prayer for understanding and that compassion of which I spoke. We can do well in this country. We will have difficult times. We’ve had difficult times in the past. And we will have difficult times in the future. It is not the end of violence; it is not the end of lawlessness; and it’s not the end of disorder.
But the vast majority of white people and the vast majority of black people in this country want to live together, want to improve the quality of life, and want justice for all human beings that abide in our land.
Let us dedicate ourselves to what the Greeks wrote so many years ago: to tame the savageness of man and make gentle the life of this world.
Let us dedicate ourselves to that, and say a prayer for our country and for our people. Thank you very much.

END OF TEST
GOOD LUCK!!!!