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Southern Gothic - Summative Assessment (MC 2026)

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28 questions
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Question 1
1.

  • witches, demons, vampires, and ghosts
Question 2
2.

Recategorize the paintings below of American Gothic artwork into "Northern" Gothic and Southern Gothic. (click on the images to zoom)

  • Still shot from the movie "The VVitch"

  • Edwin Harleston, Boone Hall Plantation (1925)
  • "American Gothic" painting by Grant Wood
  • "Man and Woman Contemplating the Moon" by Caspar David Friedrich
Question 3
3.

Match the "nutshell" to the correct movement:

Draggable itemarrow_right_altCorresponding Item
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Question 4
4.

Match the key authors to their movements:

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Fitzgerald, Stein, T.S. Eliot, Hemingway
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Romantic
Faulkner, O'Connor, Toomer, Hurston
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Question 5
5.

What "haunts" the south in Southern Gothic lit?

Question 6
6.

What is the most "iconic" symbolic imagery of Southern Gothic movement?

Question 7
7.

Which of the following motifs is NOT an identifiable motif of Southern Gothic?

Question 8
8.

Which of the following is NOT an immediately recognizable setting for Southern Gothic.

Question 9
9.

Most Southern Gothic texts center around the ruling class, or the powerful/dominant group.

Question 10
10.

Flannery O'Connor coined the term "generational trauma" to refer to the way you have to be from the South to truly understand its history, culture, and truth.

Question 11
11.

In Southern Gothic lit, you might come into Nature seeking Truth, but you're not going to find it, or, if you do, it will be by accident or grace.

Question 12
12.

Southern Gothic rarely includes the supernatural and monsters, magic, and ghosts are atypical of this movement.

Question 13
13.

Question 14
14.

Consider this excerpt from Other Voices by Truman Capote:


In this passage, what literary device really heightens the horror?

Question 15
15.

Consider this excerpt from Their Eyes Were Watching God:


What sentence here BEST supports the assertion that this text is Southern Gothic?

The following questions are based on the poem, "Southern Gothic," by Laurentiis.

You may use your annotations in your packet and your copy of the story to answer the following questions. Ask your teacher for a paper copy of this short story if you do not have your copy present on paper.
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The following questions are based on the short story, "Désirée’s Baby," by Kate Chopin.

You may use your annotations in your packet and your copy of the story to answer the following questions. Ask your teacher for a paper copy of this short story if you do not have your copy present on paper.
Question 20
20.

What is the relationship between Madame Valmonde and Désirée?

Question 21
21.

Monsieur Valmonde was hesitant…

Question 22
22.

How does Madame Valmonde react to seeing the baby?

Question 23
23.

How does Désirée come to the conclusion that her baby may be bi- or multi-racial?

Question 24
24.

After her conversation with Armand, Désirée…

Question 25
25.

What else does Armand discover while directing the bonfire?

Question 26
26.

Which of the following statements best states what the estate, L'Abri, symbolizes?

Question 27
27.

How does the narrator's description of L'Abri, from Madame Valmonde's point of view, develop the mood of the text?

Question 28
28.

What is the significance of the title of this short story?

Recategorize the key elements, themes, and motifs of American Gothic literature into "Northern" Gothic and Southern Gothic. (6 each, you will NOT use any more than once)
vengeful ghosts, hauntings; violent personalities; mob/community violence
anxieties around a judgemental society / wrathful God
oppression, exhaustion, decay, lasting ruins; isolation, endurance
the grotesque; the mentally or physically disabled or disturbed; bigotry
dark forests and bitter cold
plantations, intense heat, heavy trees, agricultural motifs
themes on religion, predestination, and free will
themes on social issues and inequities
madness, corruption, severe guilt, horror, hopelessness
anxieties around race, inheritance, and poverty
guilt (of one's sins; shame)
Gothic
Southern Gothic
Gothic
Southern Gothic
The nihilistic or lost individual, in a rapidly developing urban modernity. . . far from Nature and vitality. Out of this post-war disillusionment, seek hope in change, renewal, the new.
Romantic
Man is inherently flawed and any attempt at reform will fail. Nature is dark and mysterious and it reveals a dark truth that makes us feel disenchanted / disillusioned.
Transcendental
There are such things as monsters (but none so wicked as ourselves). In the search for yourself, you won't like what you find. . . . insanity, horror, terror of truth.
Dark Romantic
Melancholy man walks alone into Nature... through introspection, man finds enlightenment (artistic/truth about self)
Gothic
Nature is a silent witness (sometimes a safe haven for misfits) from a violent or oppressive society. A horrifying or ambiguous truth hides beneath an idyllic or decaying facade.
Modernism
Man walks alone into Nature. Man is witness to Truth and becomes enlightened. Man returns to share truth with others in society.
Southern Gothic
Transcendental
Wordsworth, Longfellow, Witman
Dark Romantic / Gothic
Henry David Thoreau, Ralph Waldo Emerson
Modernism
Dickinson, Melville, Hawthorne, Edgar Allen Poe
Southern Gothic
the history of the south and the "skeletons" of our past (civil war, slavery, etc.)
religious trauma and the fear of God's coming judgment
the fear of your neighbor and what they "could" be up to over there...
Both A and B
Both C and D
sowers, mowers, reapers, and the harvest
creepy castles, mansions, and estates
Consider this excerpt from Other Voices by Truman Capote:



Which THREE phrases BEST supports the assertion that this text is Southern Gothic?
But we are alone, darling child, terribly, isolated each from the other
so fierce is the world's ridicule we cannot speak or show our tenderness
for us, death is stronger than life, it pulls like a wind through the dark
all our cries burlesqued in joyless laughter, and with the garbage of loneliness stuffed down us
until our guts burst bleeding green, we go screaming round the world
dying in our rented rooms, nightmare hotels, eternal homes of the transient heart.
allusion
They say in company with the others in other shanties, their eyes straining against the cruel walls and their souls asking if He meant to measure their puny might against His.
Question 16
16.

Why does the poet use the word indigo in line 7?

Question 17
17.

In the last line of this poem, what has happened to the boy in this poem? (implied)

Question 18
18.

Which lines most align with the Southern Gothic concept of "the wise blood"

Question 19
19.

In this poem, Nature....

It is a dark deep blue, often compared to bruises, ink, midnight. An emotionally symbolic color.
It is related to indigenous peoples and punning off of the erroneous misnomer "Indian"
It is a color that is not found in nature, an artificial color, implying that this is not "natural"
Both A and B
Both C and D